The Cutprice Guignol

The Ninth Year: The Haunting of Swill House

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A Wanker’s Literary Reaction: The New Doctor Who Companion

Bitch, please, did you really think I was going to let the announcement of a new Doctor Who companion pass by without comment? I would have had this blog post up last night, but I was too busy drinking rum and being an indefensible bastard- and occasionally breaking to scroll through the Twitter reaction to this new casting. Opinion seems divided, so the best way to figure out precisely what I make of the new Tardis inhabitant is to take this teaser beat by beat. With me?

0:01: Daleks. Great. Can we get an original monster along with the new companion? No? Right, sorry, moving on.

0:04: RUNNING! Looks like she’s dressed sensibly for it- a mark in her favour. Ever since Black Canary was fighting crime in a leather corset and heels (HEELS), I’ve had a weird thing about outfits being fit for purpose.

0:10: In fact, can I just have her whole outfit? I assumed the wardrobe department for the Moffat era only had bottoms that ended about six inches above the knee, but apparently that’s not the case any more.

0:21: I’ve seen a lot of people throwing shade about Pearl Mackie’s eyebrows in this clip. I mean, they’re…there, on her face, I guess?

0:30: Now we’re actually getting some dialogue from her, I like her. I’m a big fan of the borderline-annoying, motormouth assistants (I miss you Catherine Tate), and she seems….(adjusts tie, sits up straight, makes sure everyone is listening)….to fit the BILL.

0:43: It’s pretty cool to see Peter Capaldi not trapped in the Saint Clara plotline any more, even if he is just breathing heavily and talking quickly here. He’s still an awesome Doctor, and it’s going to be fun to see him not bogged down by Clara’s physically painful arc in the next season.

0:55: I’ve seen a few people getting furious about the fact that the new companion keeps talking even as the Daleks bear down on the two of them, and to them, I say: fuck off. This is a two-minute teaser, and it’s aim is to introduce Pearl Mackie as Bill. Anyway, isn’t it kind of cool to see someone who laughs (or just talks super-fast) in the face of danger?

1:04: I liked that line. I will say that the dialogue for this segment isn’t great, but that Capaldi and Pearl Mackie are both pretty fun and they have an easy, chill chemistry which I could get behind. As opposed to having her be THE MOST IMPORTANT PERSON IN THE UNIVERSE EVER.

1:10: “I’ve always been too busy running away.” I mean, anyone who’s watched even, like, three of the six-hundred and forty-eight Dalek episodes knows that’s mostly a lie.

1:31: This is goofy as hell, and I’m not entirely sure how I feel about it. But considering the whole of last season was far, far, far too serious for it’s own good, maybe this is an improvement.

1:41: WHOOOOOO HE MADE A BACK TO THE FUTURE REFERENCE WHEEEEEEEEEEEEE

1:49: Could only afford the one Dalek for this, could they? Got a lot of saving to do for the actual season?

1:59: Overall? I like her. Sure, she’s not everyone’s cup of tea, but as an overly talkative, 25% irritating sidekick myself, I’m feeling her.

Fifty Shades Darker Recaps: Chapter Three

Hello, and welcome back to another week’s recapping (you can find last week’s post here, if you want to catch up) Thanks to all who’ve been tweeting and otherwise social media-ing me about these posts- knowing that I’m making you all suffer with me is all I need to keep me motivated.

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Me, approaching these recaps every week.

So let’s thunder on with chapter three-strap in, because this week’s recap is fucking enormous, just like Christian’s-

We left off with Christian and Ana declaring their love for each other, Christian giving her an iPad with some music on it, and the two of them officially getting back together oh god oh god why. Ana heads to work (at a publishing house, because writers always write about writers in some way or another), and is glad for her carlessness as she listens to the music Christian loaded on to her new gadget on the bus. We all remember why she doesn’t have a car, don’t we? Hint:it’s because Christian sold her original car without asking her, and then tried to force a new one on her which she eventually returned. But Christian would never do anything to her without her consent, right, guys? Guys?

Ana and Christian email back and forth about whether or not Ana has eaten breakfast (combining two of my favourite motifs in one- fucking interminable email exchanges and hand-wringing over Ana’s eating habits), and then Christian warns her that shes “going to need all her energy for begging”, with not further context, which lands us firmly at the Serial Killer end of the Christian Grey spectrum for this chapter. And, as I’ve said before, if I’m hooking up with a hot fictional psychopath…

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I spent a good twenty minutes perusing my generous collection of Fit TV Serial Killers gifs. I was in a campy Evan Peters mood today.

Ana goes for lunch, and listens to some more of the music Christian chose for her, and she notices that he’s put up a piece by the composer who he played through headphones to her while he did mild sensation play in the last book.

“Oh, Fifty has a sense of humor, and I love him for it. Will this stupid grin ever leave my face?”

First, take a drink for the book referring the Christian in-text as fucking Fifty. I’m not sure what her definition of a “sense of humour” is, but it’s certainly pretty far from mine. It’s another example of the book being all “Look how FUNNY and PERFECT and CLEVER and HANDSOME Christian is!”, while not really explaining why he is any of those things. He just is, aight, and if you think he’s in fact an abuser,you OBVIOUSLY don’t understand GREAT LITERATURE.

Ana’s bored in the afternoon, and sends Christian an email telling him she’s twiddling her thumbs. So he’s all, I could find a better use for them, which is either a reference to anal play or thumbscrews, both of which would make the book that much better. He also mentions that her work emails are monitored, which for some fucking reason she didn’t know, so they can’t have kinky cyber sex or whatever he was planning.

Ana’s boss is guided by the honing device of his unquenchable erection in the direction of Ana’s desk, and invites her out for a drink with the rest of the office (at a bar called “50s”. Take a shot!). The most interesting thing about this section is an arguably missing comma. Ana goes to email Christian about it, mentioning the name of the bar, and announcing “The rich seam of humor that I could mine from this is endless”.

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LOL THE BAR IS NAMED LIKE YOUR NAME HA HA. There, I mined it for you. They chat a little longer, and he says he’ll see her “Sooners rather than laters, baby.”

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Which might be my favourite line in the whole series yet. Ugh, series- not I’ve reminded myself there’s still another book to go after this. On an unrelated note, you ever eye your bedroom window and idly wonder if the drop would kill you or just inure you badly enough that no-one would expect you to fulfill your blogging-related commitments?

Ana gets ready to meet Christian:

“I grin at the mirror and straighten my pale blue shirt—the one Taylor bought me. I am wearing my favorite jeans today, too. Most of the women in the office wear either jeans or floaty skirts. I will need to invest in a floaty skirt or two.”

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Look, I don’t know if I’m conveying here how utterly fucking stunningly boring this chapter is. Like, last week’s was bad and full of abuse and what have you, but this is just fucking dull. This is proof positive if ever we needed any that people just skipped straight to the sex scenes, because there’s no way anyone in all of fucking Christendom would have put themselves through this dirge out of choice.

As Ana leaves the office, she hears her name being called, and something finally happens in this chapter.

“I turn expectantly, and an ashen young woman approaches me cautiously. She looks like a ghost—so pale and strangely blank.”

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Spoiler alert, this woman was involved with Christian Grey.

“Like me, she has dark hair that starkly contrasts with her fair skin. Her eyes are brown, like bourbon […]“What do you have that I don’t?” she asks sadly.”

The woman reveals bandages around her wrists, and then wanders off. And Ana’s all like, “What was that about?”. Look, I don’t want to imply Ana’s an idiot here, but come on now. What could that woman poooooossibly have wanted? Walking around, looking like Christian’s type, asking her what Ana has that she doesn’t.

Ana heads over to the bar, and tries to forget about the girl who just approached her. She asks “have you any plans for the weekend?” because EL James 100% gets how American twenty-somethings talk, and that brief fizz of interest in this chapter wetly plups out, never to be heard from again.

She drinks a few beers with her colleagues, and then AMC’s The Walking Dick (IE her boss) appears to letch over her.

““Ana, think you made the right decision coming here?” Jack’s voice is soft, and he’s standing a bit too close.”

Why does everyone who’s interested in Ana talk to her like their minutes away from dragging her horse-tranked body to their caravan in the middle of the woods? Seriously, if someone asked me “Do you think you made the right decision coming here?”, I would assume they were either politely implying I should fuck off or about to prove to me why I made the wrong decision.

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I’m going to picture Jack Hyde as Oliver Thredson from now on, and you should too.

Jack backs her up against the bar and starts practically humping her leg, but then Christian turns up and he backs off. Christian and Jack start staking their territory, to the extent that I was fulling expecting one of them to whip out his cock and start pissing up Ana’s leg. As we all know, ladies, the dream is to have two guys get into an embarrassing yet also intensely dull dick-measuring contest over you.

Christian and Ana head back to the car, and Christian gives her a “panty-combusting” look-

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And he talks about how they’re going to bang, etc. And then we get some…um, interesting developments.

“Your boss, Jack Hyde, is he good at his job? […] That man wants into your panties, Anastasia,” he says dryly.”

“Well, he can want all he likes . . . why are we even having this conversation? You know I have no interest in him whatsoever. He’s just my boss.”

“That’s the point. He wants what’s mine. I need to know if he’s good at his job.””

Wants what’s mine. Wants. What’s. Mine. Because Ana is a possesion to be owned, not a person with thoughts and feelings and fucking agency of her own. I mean, it isn’t news to me that Christian sees her like this, but yet somehow people are arguing about how he respects her and sees her as an equal when he just blatantly does not. Christian talks about how he wants to fire Jack Hyde-

““I mean it. One move and he’s out.”

“You don’t have that kind of power.”

[…]

Christian gives me his enigmatic smile.

“You’re buying the company,” I whisper in horror.”

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YUP. So that’s happening now. He tries to reassure her and tell her that, in fact, he’s already bought the company. After promising not to interfere with her career. He’s BOUGHT THE COMPANY SHE’S WORKING AT. And this didn’t happen overnight-knowing that these things probably take more than a couple of days, it’s safe to assume that Christian started this process while they were dating the first time round or worse, broken up. And just didn’t mention it. He tells her it’s because he needs to be sure she’s safe, and she calls him an arse, then he laughs at her, and she laughs back, and-

““Just because I have a stupid damn grin on my face doesn’t mean I’m not mad as hell at you,” I mutter breathlessly, trying to suppress my high-school-cheerleader giggling. Though I was never cheerleader—the bitter thought crosses my mind.”

Oh cool, so we’re just sliding straight past the fact that he PURCHASED THE COMPANY YOU WORK AT TO EXERCISE CONTROL OVER YOU because you were never a cheerleader. Awesome. Great. So happy right now.

They go back to her place, and cook stir-fry. Christian says he’s hungry for her, blah blah, and “everything south of [her] waistline clenches”.

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Christian demands Ana tell him what she wants, and her inner goddess is too busy thrashing about on a chaise longue to answer the question. She touches Christian, and he bats her away (pretty reasonably, given the number of times he’s told her how little he likes to be touched). They make out some more, and-

““What do you want, Anastasia?” he breathes.

“You.” I gasp.

“Where?”

“Bed.””

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AW YEAH GET ME SOME OF THAT HOT SEXY HARDCORE BDSM EROTICA. They go to bed and Christian makes Ana ask to be undressed, kissed, etc. She motions for him to go down on her, and he demands she say where she wants his mouth-

“Oh, he’s taking no prisoners. Embarrassed I quickly point at the apex of my thighs, and he grins wickedly. I close my eyes, mortified, but at the same time beyond aroused.”

Ugh, can we just stop with the whole Ana-is-humiliated-by-having-a-vagina thing already? It’s uber-gross, and the word “mortified” shouldn’t really be coming up during an ostensibly vanilla fuck sesh. She bats him away after, like, ten seconds because she doesn’t want to come yet- Ana, one of the great things about having that vagina you seem to hate so much is multiple orgasms. Not that Christian seems to know about them either, to be fair.

She sucks his dick a little bit, he sucks her tits, then he fucks her, and it’s all writhing and groaning and begging and so, so fucking dull. They shag for about half a page, and then-

““Come on, baby,” he gasps. “Give it to me.”

His words are my undoing, and I explode, magnificently, mind-numbingly, into a mil-
lion pieces around him, and he follows calling out my name.”

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“explode”

And, with that, this agonisingly long chapter is finally done with. See you next week for more escapades into the boring and abusive!

 

Popjunk Popcorn: 10 Cloverfield Lane

I’ve been waiting to review this movie forever- it’s brilliant, and you’ve still got time to see it in the cinema.

The Unstoppable Unbreakable Kimmy Schmidt

Season 2, and this show just keeps getting better.

Fifty Shades Darker Recaps: Chapter Two

Well, we’re back for chapter two. And, full disclosure, I had to go and get a bottle of wine while I was re-reading this chapter, because god fucking dammit.

The chapter opens with Christian dragging Ana out to dinner, grumbling that a restaurant will “have to do” when they walk in, because Ana is apparently actually, literally going to die if they don’t eat in the next eight seconds. Christian orders for them, and “chastens” Ana for her asking if she can pick her own food. They order wine, because these people can’t do anything without alcohol (after my own heart) and then we get to the good stuff. They talk about how they’ve missed each other and want each other back.

“”Nothing’s changed. I can’t be what you want me to be.” I squeeze the words out past the lump in my throat.

“You are what I want you to be.””

yeah-right

Lovely David.

NO SHE’S FUCKING NOT. Or you wouldn’t be trying to change her behaviour by pushing her towards a kink she clearly dislikes. And you wouldn’t be criticising her for not eating, or suggesting that the clothes she wears aren’t good enough, or “rescuing” her when she’s drunk at a bar. You’ve been trying to change her since the moment you met her, douchebag. But oh wait, it gets better.

“”You’re upset because of what happened last time. I behaved stupidly, and you… So did you. Why didn’t you safe word, Anastasia?” His tone changes, becoming accusatory.

What? Whoa – change of direction. I flush, blinking at him.

“Answer me.”

“I don’t know. I was overwhelmed. I was trying to be what you wanted me to be, trying to deal with the pain, and it went out of my mind. You know… I forgot,” […]

“You forgot!” he gasps with horror, grabbing the sides of the table and glaring at me. […]

“How can I trust you?” he says, his voice low. “Ever?””

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(the bits I cut out there don’t make this any better; it’s just Ana noting internally that he’s furious and telling herself it’s her fault)

But yeah, let’s just take a look at that, shall we? Christian- who knew at the time that Ana was inexperienced not just with BDSM, but with any kind of sexual relationship, who knew she was really, really put off by the idea of pain, who cried and sobbed and screamed all the way through the beating with a motherfucking belt he gave her at the end of the last book after she told him she wanted to push her limits solely to please him- Christian is saying he can never trust Ana again. Because Ana didn’t use her safeword. Not because Christian is a shitty, shitty, shitty dom/man/human and beat the everloving crap out of his weeping partner who had previously and often expressed herself dislike for this kink and didn’t think for one second that she may not like it. And it’s her fault. And she should feel guilty about it.

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I swear. I swear to fucking God.

Ana apologises, and he tells her how much suffering she could have stopped if she’d just used her safeword. I honestly can’t with this shit anymore. They turn back to inane flirting, so we’re back into familiar territory as this made up about 40% of the original novel. The food arrives, and Ana tells Christian she still loves him, but she’s not eating fast enough so we get this:

“”So help me God, Anastasia, if you don’t eat, I will take you across my knee here in this restaurant, and it will have nothing to do with my sexual gratification. Eat!””

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So…he’s admitting that he’d beat the crap out of Ana as a punishment? Not as a…sexy times BDSM thing? Whoops, slip of the tongue, best not dwell on that blatant threat of physical violence for too long in case people think this isn’t actually a romance!

They finish their meal and go to leave, and Christian tells Ana how much he wants her and is all smooch-smoochy with her hand. Sometimes it’s just so starkly clear what a terrible, terrible human EL James wrought, and this is one of those times. He threatened to hit her, told her she was at fault for her own abuse, and then puts on a kissy-kissy face the plot just breezes on by. They get into the car that Christian called, and Christian asks her straight out the question we’ve all been thinking:

“”Let me ask you something first. Do you want a regular vanilla relationship with no kinky fuckery at all?””

I love it. I use the term “fuckery” quite a lot-eg, “That’s some fuckery!”, etc-but to me it’s just a silly toon-town version of a swear. It’s not sexy. Certainly not when I imagine Jamie Dornan being forced to say this line in the next movie OH MY GOD THAT’S GOING TO BE FANTASTIC.

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Ana tells him she loves his “kinky fuckery,” and I need to start massaging my temples to stop this headache that’s threatening right now, because she’s repeatedly told the audience how much she hates it. Am I getting through to anyone here? Am I just screaming into the void?

Ana explains that in fact she doesn’t like getting hit with canes or whips or paddles, and she doesn’t like how much he gets off on hurting her. He agrees to take away the punishments and the rules, which is pretty funny given how many of the rules Ana’s laid down for him he’s broken (Not giving her space, not buying her shit, not beating her with a belt, etc).

Ana and Christian reconcile, and snuggle in the back of the car. Christian goes off on a tangent about his mother-oops, no, “the crack whore” as he refers to her. Which, ugh. This- this precisely- is why therapy exists. He explains that his mother’s body was left him for four days after she committed suicide, which is genuinely horrible, and also not an excuse for Christian to exercise coercive control over Ana.

They drive back to Ana’s, and Christian tells Ana he could “watch her sleep forever.”

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That’s a line from a Hannigram ship fic IF EVER I HEARD ONE.

They say goodbye, he gives her a gift, it’s the dumb glider she bought him at the end of the last book, etc. He’s also put an iPad in there, and loaded it up with appropriate music because he’s a fucking fifteen-year-old me with money to burn apparently. She cries while she listens to The Scientist by Coldplay, and yeah, me too, but different reasons. They exchange emails about how Christian wants Ana to beg for him (ugh ugh ugh ugh UGH).

Then Ana goes to bed and listens to Jose Gonzalez and thinks about how lucky, lucky, lucky she is to be with the man of her dreams.

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A Wanker’s Literary Reaction: Doctor Strange Trailer

Phew, these new trailers are really coming thick and fast this week, right? I guess Marvel had to parry DC’s suspiciously decent-looking Suicide Squad trailer with someone equally as attention-grabbing- so they’ve chucked out a teaser for the upcoming Dr Strange. Now, this is a movie I’ve heard little about, but every screenshot I’ve seen seems to suggests it’s going to be a bunch of po-faced thesps saying very silly things in very silly make-up for a hundred minutes, which could either be incredible or mind-bogglingly dull. WITHOUT FURTHER ADO!

 

0:13: Okay, this doesn’t look too bad- Benedict Cumberbatch pulling a hilarious face upside down in a car, snow, dramatic voiceover. If they hadn’t just referred to him as Steven (sp?) Strange, which is one of the most quintessentially comic book names I’ve ever heard, this would look like some new edgy Cumberbatch Oscarbait.

0:31: Oh, THAT’S what Rachel McAdams is doing in this movie. That clears some stuff up. Either way, we’re on montage duty at the moment, while Tilda Swinton says things that sound horrifyingly like quotes from The Matrix (THE WORST FILM EVER MADE, for reference).

0:40: Look, we can all admit that this looks like it could be a promo for the new series of Sherlock, right?

0:48: “WHAT IF I TOLD YOU THAT REALITY WAS ONE OF MANY?” as the camera pans across two vaguely similar-looking cities. Um, they know more than one city can exist in the same reality, yes?

0:53: Whoever delivered that line about the power of the leaf has one of the prettiest voices I’ve heard in a while. I’d like him to come soothingly pet my head and read Stephen King books to me while I fall asleep.

1:03: Bald Tilda Swinton is cool, but then she can pull anything off. Once again, I’m getting Matrix vibes off of this, which is really not the tone I expected from this movie. She punches Benedict in the chest so hard his soul falls out, etc.

1:12: MADS! MADS! MAAAAADS! I’ve been reminded why I was ever remotely interested in this movie. I’d watch him in anything at all, despite the set pictures of his hangover make-up.

1:25: That’s…that whole city folding in on itself thing is from Inception, right? They know that? Right?

1:42: Benedict has a depression beard, and wants Tilda to teach him. Probably how to get such an incredibly clean-shaven look while sequestered away in some kind of interdimensional training ground, presumably.

1:50: Blah,  blah, a be-caped Benedict walks dramatically up some stairs, and this whole things looks passable. I’m reminded, however, that it’s out in my birthday month therefore someone’s going to take me to see it.

A Wanker’s Literary Reaction: Suicide Squad Trailer 3

After the fiasco that was Batman vs Superman, DC have a lot of damage control to do. Rumours of hasty reshoots to turn the upcoming Suicide Squad movie into a lighter-toned romp abound and, to top them off, they released a new trailer last night at the MTV Movie Awards (which were hosted by Kevin Hart and Dwayne Johnson, who I now want compering every event in the industry). So, let’s take a look at what the newest trailer has to offer.

0:05: THE FIFTH WORD IN THIS TRAILER IS “SUPERMAN”. I thought they were trying to make us forget.

0:10: With every trailer that passes, Viola Davis looks more and more too-good for this movie, if that makes sense. Also, blah blah, Harley Quinn runs at some bars, Will Smith does some pull-ups in his freakishly ageless body etc.

0:28: The last two trailers had awesome music; this one does not. Already a step down. That said, Margot Robbie hasn’t licked a phallic object or slithered down a stripper pole yet so they might have pulled themselves back up on-

0:39: JOKER! WILL SMITH SAID JOKER! DO YOU GET IT DO YOU GET IT BECAUSE THE JOKER’S IN THIS MOVIE DO YOU-

0:45: Aaaaand there’s Harley Quinn squirming into a pair of tiny denim shorts. Isn’t it funny that Batman’s batsuit can change over and over again and no-one blinks an eye, but the concept of giving Harley Quinn a costume that covers more than 25% of her skin doesn’t seem to have crossed anyone’s mind in the last ten years?

1:00: KATANA! Well, it’s someone asking Katana if she has a boyfriend, but it’s the most acting she’s had to do in the trailers yet.

1:07: Haa, that vexing line was the first time Harley Quinn has done something I’ve liked. Thank God.

1:21: Why is Ballroom Blitz playing now? Oh, this’ll be the lighter tone they were talking about. It’s…..something, I guess?

1:34: MONTAGE! MONTAGE! MONTAGE! GET ALL YOUR MONTAGES HALF-PRICE WITH THE SUICIDE SQUAD’S KILLER DEALS!

1:40: Jared Leto’s Joker: still shit, even if we don’t want to admit it as a nation.

1:41: THAT’S BATMAN. THAT IS BATMAN. I HAVE GONE BACK AND PAUSED THIS VIDEO FOUR TIMES AND THAT’S BATMAN.

1:43: Aaaaand now that momentary flicker of excitement is gone as I remember Batfleck and just how thunderingly terrible he was.

1:50: Look, I’m going to be honest: I kind of dig this trailer. The first trailer was too dark, the second too goofy, but this has landed at a comfortable in-between- darkly funny, with cool action and characters I want to get to know.

1:52: Except the Joker. I can’t stress how little I care about him when Mark Hamill’s adapting The Killing Joke.

2:10: Will Smith is the epitome of a leading man and I’m delighted he’s in this. He looks like a lot of fun.

2:15: In a stunning twist, the final trailer tag is actually kind of funny. WHAT IS THIS MADNESS.

2:25: Dammit, I quite liked that.

Fifty Shades Darker Recaps: Chapter One

So, tomorrow, I’m handing in the final project of my university career. And that’s all kinds of awesome; I’m sure I’ll do some tipsy nostalgic post about university nearer graduation. But, for the time being, that leaves me with a project-less hole in my life. A space that needs filled. And for the last few months, I’ve had this nagging feeling that there’s something I need to finish…

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Yes, that’s right- even after the pure, unadulterated torture of recapping Fifty Shades of Grey (for the lucky/uninitiated, you can find my recaps here), I’ve decided to take on the rest of the series. Maybe I’m, like, some kind of masochist or something. I should look into BDSM; I’ve heard it’s pretty neat. So, I’ve got my copy of Fifty Shades Darker, and I’m ready to take on the rest of EL James’ magnum opus. I just need some appropriately epic music to get me started:

Yes, that should do it. WITHOUT FURTHER ADO!

The book starts with a prologue told from the point of view of young Christian about how terribly he was abused, and it’s badly written and blatantly manipulative in that it’s trying to justify Christian’s abhorrent treatment of everyone around him as a defense mechanism. We jump straight into Ana’s POV for chapter one, as she tries to survive after the recent death of her entire family. Oh, wait, no, she’s just trying to get over the break-up of a month-long relationship, not that you would know that from how she describes how she’s feeling. Some highlgihts:

“The void in my chest…a painful, hollow reminder of my loss.”

“I am numb. I feel nothing but pain. How long must I endure this?”

“I cannot bear to hear any music…even jingles in commercials make me shudder.”

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Continuing the theme of Gifs of Handsome Men

I’m less than ten pages in and this is already even worse than Fifty Shades of Grey. Mainly because at least that had the abusey leading man to keep things interesting, if not pleasant or entertaining or romantic; now we’re left with Queen of the Mary-Sues to carry the plot, the whole thing crumples in on itself like so much wet cake. She doesn’t eat for FIVE FULL DAYS. This couldn’t be more overblown or underwritten.

But oh, we don’t have to wait long for the man of our dreams to join us once more! Christian emails Ana to remind her that Jose’s art show is soon, and offers her a lift, since he sold her old car and she gave the one she purchased for him to replace it back. She agrees, and then realizes that all of her calls have been getting forwarded to Christian since their break-up. She assumes he threw away her phone, but trust me, he did not. She also wonders how he got her new email (oh, yeah, she’s started her new job at a publishing house and her boss wants to nail her) ,but let’s not go down that path when there’s pussy-moistening to be had! Note: these recaps will be at least eight times as explicit as the actual sex scenes in the book, be warned.

Ana gets ready to meet Christian, and we get this belter of a line:

“I wish I knew how to use make-up. I apply mascara and eyeliner […]”

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Which, wow. Whoever edited this probably just went “fuck it, I’m out” after the first book. That’s the only explanation for this line, where she says she can’t use make-up and proceeds in the next sentence to use make-up. She goes outside to meet Christian, and the first words out of his mouth are “When did you last eat?”. Ana replies that it’s nice to see him, and he scolds her for her “smart mouth”. Fuck, this is almost too easy. Christian is immensely rude and controlling, and he’s not even ten lines in yet.

She laughs at him- one of the few times mine and Ana’s reactions would match up- and tells him she last ate when she was with him. He tells her she’s lost “five pounds, maybe more”, because got forbid we forget how SKINNYSKINNYSKINNY Ana is.

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Christian asks how she’s been, and then pulls her onto his lap and shoves his face in her hair, which is weird and creepy and- oh, wait, this is Christian Grey we’re talking about, isn’t it? Carry on. They arrive at a helipad, and Christian straps Ana in. She actually says “Oh, my” out loud- actually try saying that to yourself without sounding like your trying to cover up your surprise at the size of someone’s unseasonably large penis. See? Can’t do it.

They talk about her new job, take off, and Ana thinks about how she’s Icarus again. Does EL James know what…I mean, has she ever read that story? Someone dies. Icarus dies. Spoiler alert, EL. They stroll down to Jose’s art show, and Ana feels the need to mention that Jose is just a friend. No reason, none at all, certainly not that the man she’s with has proven over and over again that his jealousy and temper are usually barely in control, if at all.

Jose greets Ana and he’s super excited, and Ana thinks about how he’s realizing his dream, then immediately returns to thinking about how Christian wants to put his dick in her. She goes to look at the paintings, and Christian comments on how the wine is shite. Oh, fuck, I forgot how nothing but liquid velvet could pass by the lips of Christian Grey. God, he’s so sexy and cool and alpha and not at all some cunt I would NEVER take for a sesh down Spoons.

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Ana and Christian turn a corner to realize that part of Jose’s collection is seven enormous pictures of Ana’s face, because she’s sooo pretty and skinny with curves in all the right places and double-Ds and…oops, sorry, my Mary-Sue-O-Meter went into overdrive there. But yeah, Christian gets angry, then buys all the portraits BECAUSE HE’S SO NOT CREEPY AND POSSESIVE AND THE THOUGHT OF ANOTHER PERSON EVEN LOOKING AT ANA ISN’T A SERIOUSLY DISTURBING CONSIDERATION FOR HIM.

Christian and Ana banter some about how she doesn’t want to be a submissive, and he wants her to, and blah blah blah fuck, I thought we’d resolved this already. Christian orders Ana to say goodbye to Jose so she can leave, which I’ll just let you mull on for a second. She hugs Jose extra-tight to make Christian jealous, so he takes her outside and shoves his tongue down her throat because jealousy makes EL James wet, I guess? He informs her that she belongs to him, and she practically swoons into a puddle of indistinct slop. Then he decides they’re going to dinner. Are you seeing the theme here? It’s Christian doing what Christian wants while never consulting Ana, and it’s going to be a running theme in this book, I’m sad to say.

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Well, that’s all for this chapter; join me next week when I begin to regret my decision!

Looking on the Bright Side: The Best Bits of Batman vs Superman

Always look on the bright side: Henry Cavill could have been the leading man.

Batman vs Superman Review: I Don’t Know What I Fucking Expected

I don’t know what I fucking expected.

I’ve been dining out on my unadulterated hatred for Man of Steel for almost three years now. And I really thought a superhero movie couldn’t dip any lower than that- an uninspiring leading man, a fatally poor script, and generally joyless execution. After all, they were following it up with a Batman versus Superman movie- no matter how awful Henry Cavill was in Man of Steel, and no matter how much I detest Zack Snyder as a director, it would be next to impossible to suck all the fun and entertainment value from a battle that’s been pitched by every comic book lover at some time in their lives. Batman. Versus. Superman. You stick to this premise, and there is no room to fuck up. There is no room at all.

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Out of the way Cavill, you’re standing in front of better actors.

But Batman vs Superman: Dawn of Justice, which came out yesterday, failed to construct something even passably entertaining out of it’s iron-clad premise. Perhaps “fails” is too kind a word; that suggests that there was something to succeed at in the first place. Let me be clear: as soon as Snyder picked up that finished script, nothing good was possibly going to come out of it. From the opening moments, as a young Batman dreams himself floating amongst a bunch of bats (one of five-count ‘em, five- dream sequences the movie generously bestowed on us) while “DIRECTED BY ZACK SNYDER” appears on screen, I knew we were in trouble. This wasn’t any fun. This wasn’t any fun at all. This was pious, po-faced, pretentious pish, and I already hated it.

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This was roughly my expression at the end of the movie.

And it continued in that vein for the rest of the movie. Batman vs Superman was cursed, in some respects, with the fact that it had to set up basically the entire DC cinematic universe in one movie, as well as trying to tell a coherent plot of it’s own. The movie would leap into some dark, fascistic terrorist element, and then have to jump straight back out again so Wonder Woman could be mysterious in a slinky dress. The action would finally pick up, and the film would grind to a painful halt as Wonder Woman watches three teaser trailers for upcoming DC superheroes on her computer. It leaves this two-and-a-half hour movie feeling, somehow, overstuffed. Every time the movie looked like it might be going somewhere, it suddenly remembered it had to work Doomsday into the script, somehow, and Lex Luthor had to get his head shaved, and Wonder Woman had to fight, and-

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Lex Luthor: There, I guess

Let me be clear: I’m not saying that any of the rest of what we’re shown is much better. The scriptwriters, Chris Terrio and David S Goyer, seem to have mistaken “dark and edgy” for “turning both your leading men into complete fucking sociopaths”, as Batman kills people willy-nilly and Superman strops around like a whiny prick most of the time while the movie depicts him as an unsettling God figure the rest of it (one of the few aspects of the trailer the film really delivered on).

Henry Cavill is just as embarrassingly awful as he was in Man of Steel, maybe more so, as this film asks more of him while he delivers less. Ben Affleck- and I’m sure, by now, we’ve all seen the “Sadfleck” meme, which is both tragic and slightly funny in equal measure- is clearly trying very hard, but, between the ridiculous Batman suit that squishes all his jowls up till he looks like a frog, his poorly-articulated backstory, and the cartoonish rubbish fight scenes, there’s only so much he can do. He’s also quite catastrophically miscast as Bruce Wayne, dashingly sexy playboy, and every time hecomes near Gal Gadot’s Wonder Woman, I want to drape a napkin over her shoulder to stop him dribbing all over it. Jesse Eisenberg escapes relatively unscathed as Lex Luthor-despite the dire script, he brings an energy and sense of fun that the rest of the film is sorely lacking. Gal Gadot as Wonder Woman is perhaps the only actor who staggers free of this mess with some genuine accolades to her name, but with only a handful of minutes on-screen, she simply can’t do much to help by the time she turns up.

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And it seems as if the writers and director assumed that the inclusion of Wonder Woman gave them free rein to treat the rest of their women with eye-rolling laziness- Amy Adams had to get saved by Superman no less than three times, while an early scene had her coyly playing the nipple dance in the bath for no apparent reason. Diane Lane didn’t fare much better. To be fair, though, this movie didn’t exactly do much to make it’s straight, white, male protagonists look any good, with both Supes and Batman making some staggeringly, mind-bogglingly stupid decisions that defied belief- both within the movie, and with the idea that someone thought this was a cogent plot point.

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I found myself reaching for the controller during the fight scenes, as so many of them felt like video game cuts that would any second fade back into gameplay. The final hour of the movie is a poorly-defined collection of fights, all of which seem to take place against the backdrop of…. Is grey-screen a thing? If it is, then that’s what they shot most of the movie on. Every shot was dark and drab and visually uninteresting, despite Snyder’s usual flair for ripping off better director’s ideas.

And then, of course, there were the endless endings- I heard a handful of audience members laughing aloud at what was meant to be the film’s climactic emotional moment, and the rest of them sighing as we realized that this shit wasn’t over yet.

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Honestly, I could write ten thousand words on everything wrong with this movie- every line that didn’t make sense, every poorly-defined motivation, every terrible piece of acting, every boring fight. But all you need to know is this: don’t see it. Don’t waste your fucking time. Take your money, and go see a better movie (Might I suggest the excellent 10 Cloverfield Place?). Because if we keep giving money to the superhero movie industry to see appalling tripe like this, this is what they will keep giving us. And by God, we deserve better. We surely don’t deserve this.