The Cutprice Guignol

The Ninth Year: The Haunting of Swill House

Live- Blogging: Grey Chapter-by-Chapter

Yep, a big thank you/fuck you to the person who bought me a copy of this to recap, because you’ve very likely ruined my entire life and, at the very least, put me behind on the schedule I intended to keep today. But here we go anyway; a condensed, chapter-by-chapter breakdown of Grey, the next book in the Fifty Shades franchise, as told from the point of view of Christian Grey. I’m going to powering through these all day, so check back for updates if I haven’t got to your favourite bit yet. I don’t think I can put this off any longer.

May 11, 2011/Chapter 1 (yes, the titles of chapters in Grey are just dates, but I’m sticking in a link to my Fifty Shades of Grey recaps too so you can see how this went down from the other point of view).

Oh my God, this writing is so bad. I’d forgotten. It’s like being with old friends. Christian meets Ana, and literally the first thing he thinks about her is that she would look good after a caning. Then he sees her “gaping” at him (but with what hole?) and thinks “Yeah, yeah, baby, it’s only a face”. Wow, you really are an unbelievably arrogant cuntbag, mate. Later in the chapter, he thinks about how he’s glad that she’s not immune to his charms. I must have had my innoculation, because all I want to do is vault the table and punch him through the face.

Since you’ve seen a lot of this before, I’m not going to bother recounting stuff you’ve already read, but suffice to say that Christian says “baby” six times in his internal monologue this chapter. When Ana asks if he’s gay, he thinks that he’d like to tie her up, spank her and fuck her, and we’re back with my old pals weird homophobia and rape. “How very dare you think I’m gay, when I only want to rape you!”

May 14 2011/Chapter 2

WE HAVE STALKING, REPEAT, WE HAVE STALKING! The chapter opens with several pages of Ana’s personal information that Grey acquired from a private detective, including her social security number and her bank account details. I like that EL has got the illegal stuff out the way early so we can focus on all the sexy, sexy romance.

Christian stalks her to her work, and wonders if Ana is gay- an idea he quickly brushes off, because it’s ridiculous to think that a woman who is attractive to men would be gay, amirite?

Christian wonders if he should have mentioned Ana to his therapist, Dr Flynn, but brushes that off when he considers the fact that he might have tried to stop Christian stalking Ana (and “stalker” is a word used to describe what Christian is doing, in the text). He’s glad that Ana is dressed in tight clothes, not the “shapeless shit” she was wearing when she met him. Yeah, God forbid she be comfortable during a work-related venture, you utter cunt.

He thinks about how hot Ana is, etc, then asks her what she likes; when she says British books, he immediatley thinks she means the “hearts and flowers” shit like Bronte. Can I remind you what other book falls into that category Christian? THIS ONE. Another man says hello to Ana, and “his eyes are all over her”, which makes Christian really mad.

Ana calls to arrange the photoshoot, and Christian gloats some more over how turned on she is, and I’m going to kill myself Or read chapter three.

May 15, 2011/Chapter 3

Christian goes to the photoshoot, where he meets Kate for the first time; he can tell by her handshake that she’s never faced a day of hardship in her life, unlike Ana, who has only been living off her rich friend all the way through college.

They do the photoshoot, and it’s pretty much the exact same as it is in the original novel, ie, shockingly boring. Ana and Christian go for coffee, and Christian asks if Jose is her boyfriend; she tells him he’s just a friend, but Christian thinks “oh, sweetheart, he wants to be more than a friend.” Because what the man wants, he gets, right ladies? It’s irrelevant that Ana isn’t interested in him if Jose wants to be with her.

Christian wonders if Ana is simply tolerating him to make sure that he doesn’t pull out of Kate’s interview, which is odd, because everything to do with the interview was over the minute they finished the photoshoot. This is a funny chapter, because Grey is basically thinking everything I thought he was- about how she’s right to be intimidated by him and stuff- except it’s written slightly worse than the original. Vis; on her eyes: “the colour of the ocean at Cabo, the bluest of the blue seas”. Wow. Just wow.

Christian asks her about her childhood, so he can mention the stuff his private investigator dug up without looking like a stalker. Man of your dreams, ladies. Man. Of. Your. Dreams.

They have their almost-kiss, Christian thinks about how she smells like his grandfather’s apple orchard (seriously), she storms off.

May 19, 2011/Chapter 4

Christian wakes up from a nightmare about his childhood, and stalks around his apartment, angry that he turned Ana down. He decides to send her some books-which he picks out from his own library so, um, kudos on the effort-then manages to patronise three female characters in the space of a page- first, by describing his receptionist greeting him as “a cheesy tune on repeat,” another drone as “fucking irritating” for “mooning” over him, and finally, indulgently calling another one of his female employees a “good girl” for remembering to put milk in his coffee. Christian, are you not the boss? Could you not fire these people if you don’t like them? Ah, but then where would the woman-hate in this book come from?

Christian talks some buisness with someone else, and it’s boring and reads like page-filler. Then he picks out a quote from the books he’s chosen to give Ana- Tess of the D’urbyvilles-inwardly scolds another female employee for looking at him flirtatiously, and the chapter is over. Merciful God!

Chapter 5

So, Christian and his brother Elliot decide to go to Portland to do some off-roading, then watch a football game, because Christian needs an excuse to stalk Ana and Elliot has got some girl blowing up his phone after he slept with her, lest we forget that all women in this book are infinitely worse than Anastasia Rose Steele.

Christian gets a call from Ana, wherein he deduces that she’s drunk and uses illegal means to track her phone and find out where she is so he can pick her up. Man, this is JUST as creepy and horrifying as I had hoped it would be! He arrives at the bar just in time to find Ana pushing Jose away, then throwing up all over everything; he genuinely inspects her vomit and notes that she hasn’t eaten much today, thus beginning our favourite “Eat/I’m not hungry” banter from the original novel.

Christian wonders if he should get a referral to rehab from his mother because Ana might have an alcohol problem and isn’t, I don’t know, a college student celebrating the fact she’s just graduated? Christian snootily thinks about what a shit friend Kate is, but not before he informs his brother that he’ll be taking a passed-out Ana back to his apartment, which she hasn’t agreed to. What a great guy! He thinks about how he should take her home, but he doesn’t want his car to smell of vomit, so that’s reason enough to take her back to his, undress her, and ogle her naked body. Apparently her eyelashes fan out over her pale cheeks, which is odd, because that sounds like it would be literally fucking impossible.

Christian emails his bodyguard, Taylor, to get clothes for Ana, and then his brother, who tells him that he hopes Christian gets laid. Which, considering that Elliot had seen Ana passed out drunk, means that he’s encouraging him to rape her…? Yeah, both the Grey brothers seem like fucking catches, good luck with them, ladies.

May 21, 2011/Chapter 6

Christian goes to bed, not before spending a creepy amount of time inspecting the sleeping Ana. Then he wakes up next to her, and we get this:

“..to wake up next to an alluring young woman is a new and stimulating experience. My cock agrees.”

So, I’m going to assume from this point on that Christian’s inner goddess takes the form of his penis. We all on the same page here? Christian notices that Ana’s t-shirt has ridden up, and leaves before “I do something I’ll regret.” Rape her? Rape her while she’s sleeping? Is that what he’s saying right there? Jesus fucking Christ, EL, don’t dump all this on me in the first few chapters.

Ana wakes up, and Christian wonders if she’s woken up in a stranger’s bed before, unsure as to whether or not they had sex because she was passed out and unable to consent. I’m glad he recognises that the situation he’s put her in is a fucking horrible one, but it doesn’t take long for him to congratulate himself on his gentlemanliness and move on.

The conversation is the same as in the first book, ie, Christian says he would have spanked Ana if she’d done what she’d done on his watch, but we get this fun little aside this time round:

“An image of her shackled to my bench, peeled gingeroot in her ass so she can’t clench her buttocks, comes to mind.”

So, yeah, sorry if you read that while you were eating something.

Christian wonders if he should just ask if he likes her, but dismisses that immediately- that would be way too much like good sense. It’s fun to note that whenever Christian drifts off into imagining what he would like to do to Ana, her consent is nowhere near the equation, so EL got that bang-on right. Oh, and she’s also captured the internalized mysoginy, plus the weird habit her characters have of giving random female characters who are percieved to be too flirtatious or slutty dumb nicknames; here it’s Miss Dark Eyes. Funny how Christian and Ana have essentially the precise same internal voice, except Christian just says “fuck” a lot more. FUNNY.

Ana and Christian smooch in the lift, then he drives her back to her apartment. Hope she throws up all over your car, creepy little shit. Christian picks up Elliot, who’s been fucking Kate, and thinks about how he needs Ana’s consent before he touches her- let’s see how this plays out, shall we?

The chapter cuts to Christian picking Ana up from work and whisking her away in his sex-copter, which is really a chance for EL to prove that she is the queen of excruciating page-filler as Christian performs pre-flight checks like the sexy dom he is. They arrive at his apartment, and Jesus Christ is this a waste of pages as they rehash the precise same conversation they had in the original book. Nothing is added to it by his internal monologue, and if I actually paid money for this, I would be beyond furious at the lack of new content. I know this is a re-telling, but a re-telling is there to add a new layer to the story, no?

Chapter 7 (not actually a new chapter in Grey, but this is where Chapter 7 came in the original book)

He shows her the playroom, and again, it’s the same fucking shit I covered back in Fifty Shades of Grey. Is this book all some kind of cruel joke? When EL claimed that the manuscript had been stolen, did she just mistake a copy of Fifty Shades for her new novel because they are literally the same book?

Ana tells Christian she’s a virgin, and we get a better look at his outright rage, his monologue snarling “What the fuck do I want with a virgin?”, when the real question should be “what the fuck does anyone want with Christian Grey?” Christian gets over his rage, and decides to “break her in”, so they go to bed.

Chapter 8

So, they have sex for the first time, Christian finds Ana’s “fumbling inexperience” a turn-on, because virgins are the only kind of women worth having sex with. When Ana tells him she doesn’t masturbate, he thinks “I’m going to make you come like a freight train, baby,” which, well:

The sex is as bland as ever, though slightly better now that we don’t have to read about him “ripping” through her virginity.  HOLD UP! Christian thinks that he “starts to move, really move”, and it’s genuinely like EL just switched out some pronouns here and there and published the same book. This is brilliant, doubling the lifespan of every erotic novel ever written with next to no effort! He “comes violently” and they have sex again. He keeps going on about how wet she is, and that would be because you broke her hymen and she’s bleeding quite a lot, if we remember from the first book, so don’t get too self-congratulatory there, mate.

May 22 2011/Chapter 9

Christian thinks about how much he will enjoy training Ana, and his cock “twitches in agreement”, so let’s go with that being his Inner Goddess. There’s a weird bit of editing as Christian flashes back to his time with one of his previous subs, who, spoiler alert, is going to try and kill herself in front of his housekeeper:

“Can I speak freely? Sir,” Leila asks.” Surely that question mark should be after the “sir”, no?

Christian catches Ana dancing around bottomless in the kitchen, and he tugs on her pigtails and tells her that they won’t protect her, same as in the first book, but now we get this fun little extra:

“Not from me. Not now that I’ve had you.”

Because once you’ve fucked a girl, she doesn’t really get a say in whether or not you get to do it again, amirite? Christian continues to get aroused every time he fucking considers the concept of Ana, and then they go for a bath together so she can suck his dick. And then we get the reason that snowballing wasn’t on the list of hard limits:

“I taste my ejaculate in her mouth. Grasping her head, I deepen the kiss.”

He goes down on her, and they fuck again, and it’s just as creepy as in the book because he doesn’t outrightly ask for consent even after she’s said how sore she is. And I know fans are going to hold up that bit where he says he wants consent as proof that he doesn’t do anything wrong, to which I reply “OMG, just read the book!” as they have done to me for generations. Then his mother arrives.

Chapter 10

We don’t learn anything new from the encounter with his mother, except that he doesn’t go to church. Ana gets a call from Jose, and she radiates anxiety “as she should be” over Christian’s reaction. Damn, this is where we get into some serious abuse territory, so let’s see what EL comes up with to try and justify it this time round! Christian wonders if Ana was using him to break her in before she goes off with Jose, so there’s your excuse for frightening Ana with his moodiness right there. He gives her the contract.

He gets annoyed at her asking to speak to Kate about sex, then they head off back to Ana’s together, but not before the romance hero of your dreams ignores the fact that Ana isn’t hungry and forces her out to lunch. They discuss all the stuff they did in the original chapter of Fifty Shades, and then Christian goes home and thinks about how much he’d like to fuck Ana. We even get to re-read the email he sends her, in case we’d forgotten.

May 23, 2011/Chapter 11/12

Christian wakes up and emails Elena, the woman who statutorily raped him when he was a young teenager, so at least EL gets a chance to misrepresent that relationship as healthy, too! There’s some interminably boring crap as Christian does some conference calls and spreadhseet work, and then we get back to the good stuff.

They email the same emails back and forth, then Christian recieves the email from Ana that reads “Okay, I’ve seen enough, it was nice knowing you.” Christian is infuriated at her lack of gratitude, and decides that “she needs to look [him] in the eye and say no”. Because it’s totally cool to force a woman you’ve had sex with a few times to give you closure after she has politely turned you down. As he arrives at her house, he wonders if it’s reckless or presumptuous to be there,  to which the answer is yes, Christ yes, so many times yes. Kate lets him in, and he goes to Ana’s room. He demands to know what she meant by the email, and Ana throws herself at him for some fucking reason.

In this chapter in the original book, Ana says “no” as she kicks Christian away, and he carries on. We know because of her internal monologue that she’s talking about her smelly feet, but Christian has no way of knowing that. Unless, of course, the author intervenes- “I know that it’s because she’s been running and doesn’t want me to remove her shoes.” How do you know that, Christian? Pray tell, because I’m sure it’s a defense lots of rapists could do with knowing. He ties her wrists to the bed (without her consent), blindfolds her (without her consent), and spits wine in her mouth (without her consent). Do I have to make a point about actions being louder than words, or have I made myself fucking clear?

In his head, Christian thinks “This is not a no”, which, you know, defense for rapists once again. I’m not saying that this is a rape scene, just that Christian Grey happens to have the internal monologue of someone who IS a rapist, what with all the “she’s not saying no, so I’ll carry on” stuff. They finish, Christian says he wants to go, then gets annoyed at Ana for wanting him to leave.

May 24 2011/Chapter 13

Christian goes back home, and then he- oh, you have GOT to be shitting me. Yep, we get another bunch of pages dedicated to reporducing the fucking contract in full. Because that wasn’t a thunderingly boring piece of shit the first time round, was it now? Why the christ does Christian need to look over it again? He fucking WROTE it! This is bullshit, and the publishing industry needs to take a long, hard look at itself.

He reads Ana comments on it, then they email back and forth-again, crap that we’ve already read, crap that is not expanded on at all by Christian’s inner monologue-and Christian thinks how funny and charming Ana is, which is funny in itself because Ana is about as funny as fucking Legionnaire’s Disease.

Christian goes to some buisness meetings that do nothing to expand on his character or the plot, he and Ana email back and forth some more, and he gets annoyed at her refusal to submit to him. Because that’s exactly the kind of thing you want to think about your submissive, isn’t it? That she doesn’t like the idea of being a submissive? Christian Grey is the best  and most responsible dominant ever, y’all.

May 25 2011

Ana and Christian meet for dinner, and to discuss the contract. Christian keeps thinking about how Ana needs to trust him, apparently bypassing the idea of actually doing things that might lead her to believe he was trustworthy. It goes as well as the first time we read it, except EL James is trying to justify everything Christian does- including obliquely threatening to rape her in the bar- because he’s so damaged and broken and boo hoo fucking hoo.

“For a moment I wonder if we should have held this meeting in my office, but I dismiss the ideas as ridiculous”. Note that this is how this scene went down in the movie; a little venom for those who dared mess with your masterpiece, EL?

His inner monologue reveals that he chose this room to see if she could be quiet while he fucked her, which bothers me because she came here to discuss a contract, not to screw some idiot fuckwad. Ana tells him he uses sex as a weapon, and he agrees in a way that implies he doesn’t know that’s a bad thing. Streaming right by the abuse, Ana’s fear and his lack of interest does not make it go away, to be clear. Ana wants to leave, but Christian is desperate to seal the deal, so he ignores what she wants and tells her that he could seduce her right now if he wanted. She leaves, they email some more, it’s dull etc.

May 26 2011/Chapter 14

Christian gets huffy that he hasn’t heard any response from Ana, and goes to her graudation where he bumps into Kate. He listens to her speech, and describes her as “smart and popular and confident”, then wonders why she’d be friends with Ana. Me too. Me. Too.

Then there are pages and pages on the speech that EL deemed not important enough for the original book, but had to fill out in this one because there is nothing to say about the lingering fart of a character that is Christian Grey. Afterwards, he yanks her into a locker room, locks the door, and gets irrationally angry at her when she tells him that Jose services her car. Ana goes to meet with her stepdad, where Christian gets furious again because Kate’s brother is greeting Ana. This chapter is mostly just Christian being really angry that men who aren’t him have dared have contact with his woman, and that’s gross as fuck. Then we get this:

“Ana, baby,” I whisper, holding out my hand, and, like the good woman she is, she steps into my embrace”

Like the good woman she is?! Why does this sound so godamn awful? Maybe because, in Christian’s eyes, a good woman is one who knows that daring to have male friends makes her a dirty whore? Christian insists on referring to Ana’s stepdad as “Steele”, as if he couldn’t be more of a sub-Bond villain cock. Ana’s stepdad warns Christian that it’s up to Ana whether or not she wants a new car, something that Christian will ignore and then curse Ana out for later in the chapter.

Christian does some more buisness bullshit, then talks to his mother about the meal his family is having to celebrate his sister Mia’s arrival home. His mother wants him to bring Ana. So Christian of course emails Ana some more boring fucking emails and heads over to her house.

Chapter 15

Christian hopes that giving Ana some champagne will loosen her up, which falls neatly into the “while he has not outrightly raped her, it’s strange how much of Grey’s monologue could be that of a rapists” category. They argue about the books, and he steamrollers her even after she offers to donate money made from auctioning them to charity. He thinks “you could burn them for all I care”. I hope she fucking does.

They discuss the contract some more after Christian says he’s going to spank her if she rolls her eyes again (without her consent). Then we get another treat of a line that fits perfectly into the above category:

“Steady Grey, you just want her tipsy, not drunk.”

Yeah, I just want her moderately impaired when it comes to making these decisions about sexual boundaries. Because I’m a gentleman! There’s also this, after Christian snaps at Ana and scares her:

“ignore her reaction, Grey. Get on with it.”

Which is EXACTLY the kind of mindset I’d want my sexual partners in, especially when they’re going to be pushing my boundaries in a potentially damaging way.Christian takes her outside to show her the car he’s bought for her, after getting rid of her old one, and thinks “You wanted more, this is the price,” which isn’t really fair as this was never made clear to Ana as part of their deal. This chapter is a clusterfuck, I’m telling you.

She begs him not to be angry, and he thinks “don’t blow it, just because she doesn’t know how to behave.” And maybe, just maybe, if the woman you’re throwing into the deep end of submission doesn’t understand how she’s expected to behave, you should take some time out to explain it to her in more detail instead of getting her drunk to get her to agree to everything?

They fuck, yadda yadda, Christian threatens her some more with stuff she hasn’t agreed to, then he spanks her, which, according to his internal monologue, he’s wanted to do since she asked him if he was gay. Have a little homophobia with your abuse, why don’t you?

Chapter 16

“She gasps and tries to rise, but I hold her down.” Do I really have to explain why it’s utterly horrible that Christian ignores the fact that she tries to get up and away from the spanking, and instead just pins her down so she has no choice but to finish it?

He finishes spanking her, and notes that Ana is subdued and seems upset but leaves anyway because aftercare is really just besides the point as long as he’s had his fun, right? I honestly thought that the books might just show that Christian was oblivious to how upset Ana was, but no, he knows full well and just doesn’t care.

Christian and Ana email back and forth and Ana expresses that she’s upset, so Christian comes back. Kate tries to keep him out of the flat, but he ignores her because he, as a man, knows what’s better for Ana. He sees that she’s been crying, and basically gets annoyed at her for making him come all this way only for her to continue to defy him. Then they fall asleep together.

Chapter 17

Christian goes home, does more buisness pish, then reads an email Ana sends him regarding their encounter. Twice during reading, he blames her for not using her safeword, and not himself for not being able to read her signals-LIKE TRYING TO GET UP AND WALK AWAY- because he is the best dom ever. They email back and forth some more while Christian gives patronising nicknames to women who dare be around him, because dammit if EL James   Ana Steele isn’t the only woman for him!

Christian gets angry when Ana doesn’t call him, and we have to sit through his attending a dull fundraising dinner. Then he finds out she was with Jose, more irrational anger, etc,

May 28 2011

Christian goes to pick up Mia, and it has literally just struck me that we’ve seen so much more of Christian’s life outside of Ana than we saw of Ana’s outside of Christian- because nothing a woman can do is as important or interesting as what a man can, right, ladies?

We get to see a Grey family dinner, where Elliot is a massive wanker and Mia is the only other female in the book of Ana’s age that EL can talk nicely abut, because she isn’t a threat to Christian’s sexual interest. His family strongarm him into inviting Ana to dinner (read: politely enquire as to her plans), and Christian huffs off.

May 29 2011/Chapter 18

Ana comes over to Christian’s, where she’s about to get neutered because he doesn’t like to use condoms. She arrives, she looks great, Christian’s erection practically leaps free of his body, etc. She says she’s hungry but not for food, and Christian thinks that she “might as well be addressing my groin.” I wish she had. Because that would have been hilarious.

Ana goes on the pill, Christian stresses about the fact that he’s falling for her, etc, which you would think would be a good thing because Ana has consistently expressed her desire for a more intimate relationship. But then where would the conflict come from, I ask you? Where would the conflict come from?

They go to the playroom again, and again, it strikes me that Christian’s inner monologue is a thousand times as explicit as Ana’s was, because it’s fine for a man to know about sexuality but if a woman does it’s gross, right? As evidenced by the fact that Christian AND Ana have consistently been judgemental at the thought of other women-like Kate, or any of the tertiary female characters who are attracted to Christian. Cool. Cool. Great. Cool.

They fuck, it’s precisely the same as the first time I read it. Then Christian notices that Ana looks tired, so he decides to show her what being a submissive really means by…fucking her? Real ground-breaking, buddy. Ana goes to sleep, then she wakes up and they have to get ready to go for dinner at his parents. They dance together, where we get a brief flashback of Christian dancing with his molestor, so EL gets the chance to present their relationship as something healthy and brilliant once again.

Chapter 19 (to be clear, I’m only going to be recapping this book for as long as it matches up with the Fifty Shades of Grey recaps I already have-up to Chapter 22- but I’ll be doing the rest of it in tandem with my FSOG recaps, so do come back for those if you want to see how it turns out)

They get to the house of Christian’s parents, and Christian huffs and puffs over the fact his family seem to like Ana and are welcoming to her. When Elliot mentions that he’s going to Barbados with Kate and her family, Christian thinks “Kavanagh must be good in the sack- she certainly looks smug enough”, because any woman expressing their sexuality who isn’t Ana Steele is a disgusting, dirty, manipulative whore, in case you’d forgotten.

Christian continues to think horrible things about Kate-that she only has an internship because her father bought it for her, that she’s intrusive and he doesn’t know how Elliot puts up with her- apparently not realizing that Ana has been scrounging off both Kate and him- intentionally or not-for years now. Kate brings up Jose, and Christian goes nuclear, furious to think that the guy who tried to rape her (not that he thinks of it like that, because then the blame would be on Jose, not Ana) actually saw her again, and deciding that “She deserves to be punished” because she’d “already agreed” to be his. Gross. Gross. Gross. Gross. Because this is not in the context of the BDSM relationship they’ve barely established the boundaries of; this is in the context of an abuser demanding control over the woman he’s abusing.

Christian tries to finger Ana at the table, and, when she closes her legs, he thinks “that’s it”, and finds an excuse to take her away from everyone so he can whale on her. Christian picks her up, spanks her (without her consent), and carries her to the boathouse, where Ana pleads with Christian not to hit her. His reaction? “But…I gape at her, paralyzed…that’s why we’re here”. Remember all that stuff Christian thought about needing consent to do stuff to Ana? Here he is, directly contravening that rule. She is saying “don’t do this thing to me” and his response is “we’re going to because I want to”. They fuck, and he tells her that she’s still getting a spanking for making him angry. One of the things he’s angry about, which isn’t covered in the original, is her not wearing panties, which is odd because he put her up to not wearing them.

So I’m sorry to say that things outside my control mean this is the end of my live blog, but do feel free to check out the rest of my Fifty-Shades related stuff in the blog directory up there, and stop by for the next few weeks when I’ll be finishing my recapping of both this book and Fifty Shades of Grey. Thanks for tuning in!

Announcing Our “Grey” Protest Campaign!

50shadeabuse's avatar50 Shades is Domestic Abuse

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No copyright intended.

Unless you’ve been living in blissful ignorance, by now you’re probably well aware that the release of EL James’ “Grey: Fifty Shades of Grey as told by Christian” is just nine days away.

Here at Fifty Shades Is Abuse HQ, we are deeply troubled by the prospect of this book.

The original Fifty Shades trilogy romanticises hugely abusive behaviour, such as stalking, manipulation, coercion, unwanted control, lack of BDSM aftercare and threats of non-consensual assault.  This is horrendous enough on its own, but the books also take the worrying (and hugely dangerous) route of excusing this behaviour and attempting to explain it away in a sympathetic manner.  Christian Grey’s bad childhood is blamed for his controlling, threatening ways.  His molester, “Mrs Robinson,” is “blamed” for his sexual preferences (which is offensive to the many people who enjoy BDSM as part of healthy, consensual relationships and who were…

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Fifty Shades of Grey Recaps: Chapter Twenty-Two

Well, we’re back, for another installment of Fifty Shades of Grey wherein the recapper has to continually remind herself that a new book in this series will be out in a mere two days time. This also means that the recapper will be absolutely mashed off her tits and listening to The Magnetic Fields all the way through writing this, if she’s got any choice in the matter.

And she does.

And she does. 

(this recapper would also like you to know that she’ll be creating a list of great eroticas that aren’t Fifty Shades of Grey on June 18th, to commiserate the release of the next Fifty Shades book, so swing by for that if you’d like some suggestions for some real literary sexiness)

So the chapter swings into action with Ana emailing Christian to tell him that she got a nice massage thanks to him upgrading her to first class against her will. Christian demands to know who’s been massaging her, and she tells him that it was a “pleasant young man” so he’ll be jealous. Christ on a fucking tricycle, do these two ever just communicate like normal people? The answer is, of course, no, as Ana ignores the flight attendant’s request that she shut off her laptop and reads another email from Christian, wherein he threatens to throw her, bound and gagged, in the cargo hold next time she makes such a remark. Ana has some internal monologue;

Holy crap. That’s the problem with Christian’s humor- I can never be sure if he’s joking or if he’s seriously angry.”

I don’t know who he is, but this man is a very attractive one, and I am treating myself this evening.

Yeah, so, imagine your close friend comes to you and says “hey, so, I have this new partner who’s super rich and powerful to the point that people probably won’t question a whole lot of what he does, and he threatened me with physical violence and coercion and I can’t tell if he’s kidding or not.” Most people would implore them to leave that relationship immediately for their own safety; EL James wrote a fucking romance novel about it.

Ana goes to sleep, after emailing Christian to tell him that she doesn’t know if he’s joking or not, and apologising for making him mad because he upgraded her ticket to first class and that’s her fault, of course (fuck everything). He replies, with “two-palms twitching CEO” at the bottom of his email. Aside from the whole, y’know, non-consensual beating part, just imagine someone who’s palms twitched uncontrollably at random intervals. Again, EL James chose to write a romance novel about the guy with the spastic fucking hands.

Ana sends Christian a stupidly long email (seriously, most of this chapter is just email exchanges between the two of them, because the thought of opening my Gmail on an internal flight makes me want to spend an hour with my Happy Drawer), and let’s take a look at some choice sentences, and see how they match up with that super-fun abusive relationship red flag system we had a look at a few chapters back:

“You know how much I dislike you spending money on me. Yes, you’re very rich, but it still makes me very uncomfortable, like you’re paying me for sex.”

Does your partner see you as property or a sex object, rather than a person?

“I did enjoy the massage from Jean-Paul…he was very gay…but as usual you overreact”

Does your partner act excessively jealous and possessive?

“You can’t write things like that to me- bound and gagged in a crate. (Were you serious or was that a joke?). That scares me…you scare me.”

Does your partner hurt you, or threaten to hurt or kill you?

“I’m curious, but I’m also scared you’ll hurt me- physically and emotionally.”

Do you feel afraid of your partner much of the time?

“You were right when you said I didn’t have a submissive bone in my body”

Do you feel that you can’t do anything right for your partner?

This. This shit. I can’t.

But you’re right, EL James, there’s NOTHING in this book that might imply to the casual onlooker that this is an abusive relationship. Ana consoles herself when he doesn’t reply, thinking that it’s five in the morning in Seattle so he’s probably asleep. She hopes that he’s not playing “mournful laments” on his piano, and I shout “OF COURSE HE’S NOT, BECAUSE HE ONLY DOES THAT WHEN HE NEEDS YOU TO KNOW HOW BEAUTIFULLY DAMAGED HE IS YOU FUCKING IMBECILE”. Incidentally, some of the wine appears to have evaporated in the heat, because there’s no way I could have had that much already.

Ana meets her mum and her stepdad Bob at the airport, and the women both head to the beach, where Ana’s mum-who has yet to materialise a name- is wearing a giant hat. I like this woman. I like her a lot. Ana talks to her mum about Christian, because God forbid this book have anything in it but pointless ramblings about the only man to earn the title of “irritating” before “abusive”;. Ana’s mum just tells her to take everything he said literally, and Ana conveniently forgets that bit where he said he was going to bind and gag her and instead focuses on stuff like “you’ve bewitched me” and “I don’t want to lose you.” Because yeah, those are phrases which really leave you puzzling over whether or not a guy likes you.

Ana’s mum gets weepy thinking about Ana’s dead father, but Ana is too busy thinking about how Christian’s moods have NOTHING on her dead father, and the fact that her mother is obviously feeling emotional about that subject mean that they should forget about it and never reference it in the whole length of the trilogy again. Because filling out a character’s background is dumb. This writing makes me want to do a Bernard Black on this book. I’m not sure quite what that means, but I’m sure it would look a little like this.

Ana finally gets a response from Christian. Let’s take this piece by piece, shall we?

“Yes, I’m rich. Get used to it…isn’t that what boyfriends do? As your Dom, I would expect you to accept whatever I spend on you with no argument.”

But Christian, as you’ve made clear, it’s literally impossible to be her Dom AND her boyfriend-

-so which relationship are you going to use to emotionally twist her arm with this time? Will it be as her boyfriend, because she’s never had a romantic relationship before and clearly has strong feelings for you that she doesn’t know how to work through? Or will it be as her Dom, because she’s naive about what that kind of relationship would entail and therefore easy to manipulate? Oh, desicions, desicions.

He then goes on to say that she has all the power, and that he can’t touch her if she says no, ignoring those times that she’s said no and he’s carried on. He says that he’s in awe of her, etc, etc, and that he needs to earn her trust, and he should do that by FOR SURE not giving her the space she requested and flying cross-country to stalk her  see her. OOPS SPOILERS!

Ana’s mum wakes her up (still no name), and finds Ana hugging the laptop like a little bitch (note: this is not how the text describes it). Ana gets ready to go for dinner, and her and Christian email interminably back and forth about how she’s rolling her eyes, and her behind is safe for now (haha remember when she was left weeping and distraught the last time Christian spanked her? HAHA). Christian asks if she wants him to zip her dress, and she replies that she would rather he unzipped it. He responds with an all caps “SO WOULD I”, which made me laugh out loud, because I had the image of his erection taking control of the keyboard and insisting on excited all-caps.

Ana signs off “Laters, baby”, and Christian emails her back with the subject line “plagiarism”, and I’m like, damn, risky move EL, considering you plagiarised every ounce of this book from Stephanie Meyer. Remember that? You should remember that, EL, doubly so now that you’re ripping off every singular ounce of her career to date.

Christian says that he’s off for dinner with an old friend, who Ana assumes to be Mrs Robison, ie, his molestor, a word that EL finally uses in the text. Ana goes into a jealous rage, and this chapter is NEVER OVER.

Ana and her mother go out for cocktails, and Ana’s mother-again-delivers some meaningless generalisations about men wanting action and not understanding that women just want someone to listen to them, silly bitches, and then OMG CHRISTIAN IS IN THE BAR WITH THEM!

Hold on to your tampons, folks, because next chapter is the infamous period sex scene.

A Wanker’s Literary Reaction: Primeval

I know that it must seem like nothing really lives up to my standards any more. Fifty Shades is goddamn awful. Age of Ultron was a disappointment. Doctor Who wasn’t as good as it should have been. Bitch. Moan. Whine. Blergh.

So occasionally it’s rather pleasant to revel in something I really enjoy, even if it is a rather unpopular opinion (judging by the massive, collective sigh that happens whenever I bring it up). And that’s Primeval; a desperate ITV flail at gaining some of Doctor Who’s Saturday night teatime audience. Running from 2007-2011, I remember many evenings locked up in my bedroom with the crackly portable TV watching one of the most supremely underrated British TV shows of the last ten years.

So, what’s the story? Nick Cutter (played by a rugged and witty Douglas Henshall), a professor of We-Only-Made-Him-A-Professor-Because-Indiana-Jones-Was-ology-

-is called in to help when anomalies start appearing all over the city of London. And what’s coming out of those anomalies?

Yeah, that’s right, dinosaurs. Mother-fucking dinosaurs (and occasionally other things from other time frames, but I don’t care about that). The series was created by Tim Haines, the man behind the incredible Walking With… series, and his knowledge and love for these creatures is clear- whether it’s in the careful creature design, or the dinosaur-related jargon everyone spews every thirty seconds, this satisfies the dino-geek in me who I thought was gone by the time I reached double digits.

But of course, the enigmatic Henshall has a team-and WHAT a team. There’s Stephen, AKA James Murray, AKA the  good-looking one with both guns (firearms) and guns (biceps)-

-hey, let me have my ogle. Then there’s Connor, AKA Andrew Lee-Potts, AKA the geeky one who knows loads about dinasours who’s still pretty hot-

Here we’ve got Abby, the biologist, AKA, Yes, that IS Hannah Spearitt from S Club 7-

And to finish out, you’ve got government official Claudia Brown, played by Lucy Brown who always looks like she’s about to say something really raunchy-

And that’s the main team. Henshall leads them every week against a different dinosaur foe caught up in a new modern setting-whether they’re destroying schools or smashing their way into a screaming child’s bedroom (because Primeval never skimped on the “terrifying the kids” factor, much to my delight), it’s this lot who have to turn up and do something a bit clever to stop them, in simple three-act plots that generally get tied up by the end of the episode. The writing is top-tier tight, building on character relationships and using the monsters as a wraparound device to fill out some themes about science and discovery. Think Buffy tone, with a healthy dose of Scooby-Doo, sprinkled with a liberal helping of Jurassic Park (which it explicitly, brilliantly references a couple of times).

Still nursing my wounds from a disappointing series of Doctor Who, Primeval is a deliciously perfect example of freak-of-the-week storytelling, with just a hint of a running plot concerning Nick Cutter’s wife, who may or may not have vanished into one of the anomalies years ago. The action sequences are a little dated, but hold up with a moderate-to-strong suspension of disbelief, and the cast has an easy, comfortable chemistry right from the off- bouncing off each other with quips and piss-takes, even as they’re stalking raptors round shopping centres.

Call me a traitor, but sometimes fiendish plotting and endless character monologues just don’t do it for me. I’m one of those people who’s perfectly happy to be able to dip into a series whenever I fancy, and be completely caught up on what I need to see with a “previously-on” montage. The most important thing for me is that Primeval never lost sight of who it’s audience was- for one, freshly-teenage girls crushing hard on a sarcastic, guest-starring Ben Miller-

-and families. It’s time slot and it’s subject matter dictated it’s broad audience, and it stuck to that- throwing in the odd saucy joke or movie reference for the parents, but focusing on bringing exciting, scary, funny plots to life for everyone to enjoy. I’ll admit that a healthy dose of nostalgia was useful when I came back to the show (which is on Netflix in it’s entirety), but Primeval is the kind of thing you can dive into at any age and find something to enjoy, if you keep your standards to “entertainment”, and not deep philosophical musing. Go watch it. Go watch it now.

Who am I kidding, if you weren’t sold by the dinasour gif, there’s no convincing you.

Fifty Shades of Grey Recaps: Chapter Twenty-One

So, I’m back from Berlin, and I most certainly haven’t been writing a ton of erotica that accidentally features character names from The Walking Dead, and, if I did, it wasn’t because I have a massive TWD poster of Daryl and Rick opposite my writing chair.

LOUISE - WIN_20150608_191605

Nope. Not doing that AT ALL.

I also wrote this in response to the announcement of ANOTHER fucking Fifty Shades book, so go read that if you want my take on it. I’ll recap it if someone buys me a copy, otherwise I’ll avoid it for the rest of time.

But enough with these petty amusements- it’s time to barrel forward with Fifty Shades of Grey. We’re on chapter twenty-one now, with only five chapters after this one remaining, and I’m starting to cast my mind over what I want to recap next. Right now I’m leaning towards doing Sex and the City, series one, from a modern feminist perspective (because that shit is a disgrace, and I still kind of love it), or taking apart the Harry Potter book series, which I read literally dozens of times when I was a kid.  if you’ve got any ideas, please tweet/email/comment at me and let me know. Books, TV shows, a series of handsomely shot interpretive dance numbers; I’m game for it all (in my darkest hours, I’ve considered going on a massive mission to find the best porn parody on the internet, so adult entertainment is not out of the question).

This chapter opens with a massive paragraph which is just Ana waking up, and I already want to kill myself. Ana thinks about how she’s living the dream, but that it’s awful because he wants a special arrangement that he doesn’t want  Right, so, I’ve decided that, to try and make this recap moderately bearable, I’m going to insert a picture of Christopher Ecclestone looking stern every time there’s an example of problematic content in this chapter. I don’t want to have to sully him with this series, but his face- the face of my adolescent sexual awakening-might just get me through this alive. Let’s start off with one to sum up my ego, shall we?

Yes, that should do it. Ana nips out to the kitchen to find Christian, who isn’t in bed, and instead finds his housekeeper who introduces herself and offers Ana tea. Ana immediately curses her out as a blonde bitch in her head in case the reader got confused and thought Christian might fall in love with the housekeeper if Ana didn’t immediately hate on her like the perfect little product of internalized misogyny she is.

It’s a handy shorthand for “fuck off, EL”!

Ana finds Christian in his office, where he’s having a really fucking long conversation with someone on the phone about Generic Buisness Things, the sort of things I might say if I were transported to a high-powered office for a day in some sort of great and terrible mishap. Once he’s done, they discuss her trip to Gerogia, then Ana demands to be fucked over his desk. I’d like you to read the description of Ana’s orgasm here:

“I cry out a wordless, passionate plea as I touch the sun and burn, falling around him, falling down, back to a breathless, bright summit on earth.”

You know what else might work here? “I came really fucking hard, and it was fucking excellent.” That would also be pretty good. I believe I’ve said it before in these recaps, but if you can think anything other than “FUCK” as you’re about to come, you’re doing it wrong. Or he is. Once again, Christian lasts just under a page.

Ana gets upset when she realizes that Christian has had sex on his desk before, when she should really be upset about the face that he told her that he liked her sore because it acted as a reminder that he was the only one allowed in her vagina, not before grabbing her face and saying “YOU. ARE. MINE.” Because swoon, ladies, amiritie?

See, I was thinking about this earlier today. I was wondering about what the perception of Fifty Shades would have been if the roles had been reversed- obviously, it would still be a book about abuse, but my guess is that we’d be a lot more willing to actually see the horrific abuse at hand, because we’re so used to seeing romantic male leads act this way, especially in New Adult fiction. The stalking, the intimidation, the obsessive establishment of ownership instead of actual love, all held up as the epitome of romance- it’s a total trope, a usually unquestioned one at that, and that makes genuinely turns my stomach.

They talk some more, and Ana goes for a shower, upset because Christian seemed weird and off with her. I mean, I assumed that was what she liked about him, but as a woman myself I know we can never make our minds up about anything and also Ana’s just probably on her period, the mouthy bitch. Ana goes to get some breakfast, and Christian offers to let her take his private jet when she says that she wants to get a commercial flight. She actually stands her ground for once, and she goes to get ready for a job interview. As Christian asks if she’ll miss him, she thinks “He’s got right under my skin…literally”, which, you know:

This is a Chrissy Ecc episode, so it counts. Also, this is the second time I’ve got Slitheen banter in these recaps! Raxacoricofallapa-LARIOUS!

We join Ana on her second interview of the day, because anything she does that doesn’t revolve around Christian is pointless, and a woman described as having black, pre-Raphelite hair appears. Which is funny because when you think of pre-Raphelite hair, black isn’t really the colour that springs to mind. Let’s see what happens if I take four seconds out of this recap to google it:

Research is FUN!

Ana remembers how Christian demands that Ana take her Blackberry with her when she visits her mother, and considers how “…that’s just the way he is. He likes control over everything, including me.” Which is exactly what Ana has been protesting this entire book- whether it’s sexual control, emotional control, or physical control, she’s bucked against it. But here she is, again, dismissing it, because EL James didn’t bother to get a beta reader for her shitty, shiity fanfiction. Oh dear why is this knife at my wrists-

A more self-aware Ana. It’s so stinking unfair, by the way, that my Doctor only got one season. Grumble, grumble.

Ana goes into the inteview, and notes internally a young man with “small, silver, hooped earrings”, and that’s a good enough excuse for me to squeeze in this, because that’s clearly the description of a pirate:

Tim Curry in Muppet Treasure Island is my Dad’s hero, and you should know that.

That man is Jack Hyde, who, spoiler alert, becomes a moustache-twirling villain later in the series, which I will not be recapping unless someone has a copy of Fifty Shades Shiter and Fifty Shades Fucked that they’d be happy to lend to me and let me scrawl all over. Because I ruined my copy of FSOG:

There's a whole page in chapter one with "PRICK" written across it.

There’s a whole page in chapter one with “PRICK” written across it.

The interview is boring, and Ana goes home to find Kate unpacking. Kate cocks her head, and Ana gets annoyed that everything is reminding her of her “favourite Fifty Shades”, and everybody take a shot because the title of the book is in the text. What Lord of the Rings was really missing was Aragorn turning to metaphorical camera every five pages and going “YOU TRULY ARE…THE LORD OF THE RING(S)”. And that’s why no-one remembers Tolkein now. Ana scolds Kate for winding Christian up with her comments about Jose at dinner, and Kate rebuffs with this bit of ironclad logic:

“He’s a real control freak. I don’t know how you stand it. I was trying to make him jealous-give him a little help with his commitment issues.”

Yeah, Kate, what you should do to the control freak boyfriend who obviously intimidates your best friend is WIND HIM UP. Then he can give her a fucking black eye or a broken nose and you’ll have proof, because emotional abuse is just made up, right?????!??!111one

Ana starts to cry, and Kate asks her what’s wrong, and Ana says that she just has such strong feelings for Christian. Kate says that it’s clear that he fancies her too, and those crazy kids should just go for it already. Kate is obviously as bored of this fake conflict as I am.

Christian and Ana email back and forth, and it’s totally, horrifically, painfully, insultingly boring. I mean, I know all the fans of this book who defend it were just skipping from sex scene to regurgitated sex scene- and I know this because whenever you bring up the abuse with them, they say it wasn’t there- but could EL not even try and make a hint of effort with this filler passages? Christ almighty, it’s like listening to the Telegraph bitch and moan about the Jeremy Clarkson being fired for punching someone in the face.

Ana gets to the airport, and Christian has upgraded her ticket to first class after she specifically told him not to interfere. WHAT A TOP NOTCH HUMAN BEING!

/sarcasm

I promise I’ll continue the theme of gifs of men who awakened my sexuality with Chris Barrie next week.

So gorgeous. Where did my bra go?

Stop Making Excuses for Transphobia

https://twitter.com/joshychoi/status/607011925998899200

https://twitter.com/coreydsomers/status/606692203218522112

If you agreed with any or all of the above statements, you might be transphobic. And I think it’s time we stopped making excuses for you.

I think it’s time we stopped pretending that people we like, people who are broadly liberal and progressive, need to be cut some slack when they repeatedly misgender someone. I think it’s time that people who claim to support the LGBTQ+ community but staunchly refuse to educate themselves on trans topics need to be told they’re not the allies they think they are. I think it’s time that trans issues weren’t such an omnipresent punchline in the media. I think it’s time we stopped dancing around the issue, stopped tacitly endorsing transphobia, and started admitting that it’s bigotry backed up by ignorance, and that it should never have become the background noise of discussing trans issues.

I’m a feminist and part of the LGBTQ+ world, and in both communities I’ve seen people trying to close down or directly exclude trans people. Don’t bother bringing up trans stuff in general company, as you will find at least one person pulling a face and calling it gross. Whether it’s conservative politicians joking about wishing they had been transgender so they could sneak into the girl’s showers in high school. or famed feminists explaining why trans women are just men trying to impinge on female spaces, transphobia is omnipresent, no matter what political or social groups you align with. And it’s godamn time we stopped dismissing it with excuses- “they don’t understand”, “they don’t mean it”, “they’re allowed to voice their opinions”. All these things could be true, but it doesn’t stop what they’re saying being transphobic. And it doesn’t stop them from contributing to a culture that continually ignores, belittles, or actively attacks trans people. Your ignorance is not a defence.

When you hear people spouting the same tired transphobic rhetoric, call them on it. If you yourself are not sure how to appropriately discuss trans issues, there are some great resources out there- try here and here to start with. Call out the many, many mainstream news sites that promote transphobic articles- including The Guardian and The Blaze. Right now, the attempted suicide rate amongst trans people is at 41%, as opposed to 4.6% for cisgender people. The Human Rights Campaign estimates that 1 in 12 trans people face being murdered in their lifetime. We’re still living in a world where Ruby Ordenana, a trans woman, was found strangled and beaten to death, only for the funeral home to change her clothes from a dress to a suit, a world where a young gender non-conforming man was showered in LGBT slurs as he was beaten, cut, and burnt with cigarettes, only for the police to refuse to work on a composite with him. Only one state in America has officially banned the trans panic defence for the murder or assault of a trans person. Violence against trans people is everywhere, and when we sit back and allow transphobia to flourish unchecked-whether it’s in the media or in our day-to-day lives- we’re further allowing that to stay as the status quo. And we can do better than that- more importantly, we should be doing better than that. Because respecting people as people- no matter what their gender identity- shouldn’t be something we have to debate.

Why You Shouldn’t Buy The New Fifty Shades of Grey Book

So, I’m in Berlin with a sprained ankle, the family, and a lot of red wine inside me, and I wasn’t planning on any blogging this week. Then this happened:

And I let out a long sigh and knew I had to write something about it. The book, which surely should have been titled One Shade of Grey, is nothing more than proof that James has no new ideas and is stuck hanging on to the one piece of plagiarism she did years ago to make money (lest we forget, Fifty Shades is plagiarized from Twilight, and this is plagiarized from the idea for never-published Midnight Sun, which was told from Edward’s point of view). So let’s talk about why you shouldn’t buy it.

The most important point is that, as a consumer, this book is going to be a pile of shite. We’ve already had chapters told in Christian’s POV in the novels, and all they’ve shown is that he’s an angry, cynical guy who seems to hate everyone. Which is fine in a Chuck Palanhuik novel, because Chuck isn’t trying to convince you that Tyler Durden is a sexy, romantic, loving hero any woman would be happy to share their life with. Sure, Ana is that too, but Christian doesn’t spend forty percent of the novel bemoaning his hair or being abused, so it’s hard to find something to not hate about him. The writing is dire as it is, and that’s when it’s taking cues from the base-level average Twilight series. It’s going to be shitty, because there’s no way you can make Christian and his actions likeable or acceptable. How will they make the bit where he gives his wife lovebites as a non-consensual punishment for sunbathing topless sound cute? Without Ana’s rationalisations, how will they turn the scene where he ignores her “no” and threatens to gag her after she thinks he has turned him down sexy? It’s going to be a catastrophe.

Secondly, it offers another chance for EL James to offer her damaging abuse apologia, with the story told from the point of view of “He Was Abused As A Kid So He Couldn’t Help It” Christian Grey. In the series that stands now, we have Ana desperately rationalising his abusive actions-which include stalking, sexual coercion, intimidation, manipulation, invasion of privacy, and atrocious BDSM conduct that lands him in the abuser category. Now, we will have a book where an abuser justifies his actions as romantic, while the author cheers him on in the background, as she has down with the rest of her bullshit magnum opus. If you wanted more mainstream validation for abuse, here it is. The only thing I hope for is that EL James misjudges this so badly that she winds up revealing Christian Grey the truly repulsive pig he is, the abuser so many fans were happy to ignore. Also, that every copy of it catches fire.

Fifty Shades of Grey Recaps: Chapter Twenty

It’s time, you bunch of masochists, to jump back in to the twisted world of Fifty Shades of Grey. After the last couple of weeks’ horrifying dallies into non-consent as romance, I’m pleased to tell you that things take a turn for the better in Chapter Twenty. And by better I mean worse. And by worse I mean that you’ll need a bottle of wine and a loved one nearby.

I’m not saying you should think of me as a teenage serial killer, more as someone who is at least as attractive as Evan Peters.

Christian carries Ana into the boathouse, and, after spending a paragraph describing her surroundings down to the “nautical New England theme” (seriously), she thinks that she doesn’t have time to examine the boathouse because of the look Christian is giving her. He’s blazing with anger, lust, etc, etc, you’ve read this before, and Ana gets the first line of dialogue of the chapter:

“”Please don’t hit me,” I whisper, pleading”

Quick heads up for everyone everywhere: if your romantic partner has to plead with you not to hit them, you’re an abuser. Ana reiterates that she doesn’t want to be spanked, and then kisses Christian (honest to God, I nearly typed Edward). He pushes her off, confused, because:

“”You said no.”

“What?” No to what?

“At the dinner table, with your legs.””

A feminist in the wild!

So, to be clear, Christian angry at Ana because she didn’t want to be fingered at dinner with his family. Because Ana doesn’t get bodily autonomy, whether it’s to do with her contraception or not wanting to perform a certain sex act, and Christian is justified in getting angry with her for denying him his right to her body (which is not an agreed-upon term in their relationship). But oh wait, there’s more!

“I’m mad because you never mentioned Georgia to me. I’m mad because you went drinking with the guy who tried to seduce you when you were drunk and who left you when you were ill with an almost complete stranger. What kind of friend does that? And I’m mad and aroused because you closed your legs on me.”

Slow down, Christian. So, you’re mad that Ana chose to spend time with a man who sexually assaulted- not seduced- her, then left her with a complete stranger? Does it not cross your mind that, what with you being that complete stranger, TAKING A DRUNK, VULNERABLE WOMAN HOME FROM A BAR ISN’T AN OKAY THING TO DO?

Ana gets super turned on by this, for some fucking reason, and they have sex; Christian tells her that if she comes he’ll spank her, even after she explicitly said two pages ago that she didn’t want to be hit. She doesn’t come, Christian’s sister bursts in, EL James uses the phrase “just-fucked” twice in a three-line paragraph, etc.

Christian and Ana go to say goodbye to everyone, and Ana admonishes Kate for winding up Christian; she replies that she’s just trying to show Ana how bad he can get. Yes, winding a clearly violently angry man up to see what he’ll do; a truly fucking innovative version of domestic abuse intervention.

They leave and get in the car, where they talk about her trip to Georgia some more. Christian asks to come with her, and she replies “I was hoping for a break from al this…intensity to try and think this through”, so, make plain note, she wants time away from Christian to think about their relationship. That is a thing that is said right here.

Christian asks Ana why she needs time to think, and she considers the fact that she thinks she’s in love with Christian, whearas he sees her as a toy to be “beaten” when she does something wrong. BECAUSE THIS IS HOW YOU SHOULD FEEL ABOUT YOUR PARTNER.

Ana says that she wants to make love to Christian, and he gets huffy and tells her to get ready for bed. But, because EL James can’t have these fuckers solve their problems with anything but a distractictingly awful sex scene, they fuck anyway. He tells her he’s going to spank her, but for their pleasure, not for punishment, which makes the fact that she doesn’t like being hit irrelevant, really. Seriously, did EL James leave years in between writing each chapter and forget what the fuck her stupid screw-dolls said in the last twenty pages? URGH.

He sticks Ban Wa balls up her poon, spanks her, and then fucks her (again, for less than half a page)

Within eight lines, Ana has brought the conversation back to his dislike of being touched, and he ends the chapter on this soothing refrain:

“The woman who bought me into this world was a crack whore, Ana.”

Just…wow, EL James. I bow before a master of the craft.

Things You Should Watch on Netflix this Weekend

In world news today: Ireland apparently votes yes on gay marriage, bigots everywhere prepare for the apocalypse, and there’s a campaign to put Ainsley Harriot on a banknote.

You may have noticed that the blog schedule I came up with a couple of months ago has got spectacularly tits up, because I can do anything with glee (no, not that kind, don’t even click there) and passion provided I think I don’t have to do it. All I can say is that the Fifty Shades recaps will be up in the first couple of days in every week, and whatever else happens will happen. Shhh. Don’t fight it. *holds finger to your lips*

There were a bunch of things I was planning to write about today (most particularly Rape of Thrones, and how using rape as a major plot point for your female characters over and over is lazy as fuck), but instead I just want to share some of my picks of Netflix, something for you to binge-watch over this weekend. I’m probably going to start doing a recomendation list once every couple of weeks, because I watch a shit-ton of TV and movies that I never review for whatever reason but that I want to share with people, so if you like this, there will be more (if you don’t, bugger off to some other blog then, you- no, wait, come back, don’t leave, I need the clicks!) Where I am, it’s two in the afternoon, so you should have plenty of time to sear every frame of a show into your eyeballs. I’ll hear no excuses.

If you want…comedy

Frankie & Grace I’m not sure why this has received such a lukewarm response from critics, as it’s a beautifully crafted, funny-but-what’s-this-lump-in-my-throat-doing comedy with a belter of a cast (Sam Worthington, Martin Sheen, Lily Tomlin, Jane Fonda). Following the story of two very different women who are thrown together after their husbands leave them for each other, it’s warm-hearted and elegantly made, a very grown-up dramedy with some real emotional punch (mostly thanks to the sublimely well-drawn relationships between the lead four). At thirteen episodes, it’s perfect for a weekend binge-watch. Now is also the time to introduce yourself to Fawlty Towers and Father Ted, if you haven’t done so already, because WHAT THE HELL HAVE YOU BEEN DOING WITH YOUR LIFE YOU WASTE OF SPACE.

If you want…sci-fi

Utopia There are a bunch of obvious choices on Netflix- Battlestar Galactica, off the top of my head- but the understated and very weird E4 drama is perfect to plow through over the course of a couple of days. Following the story of a bunch of normals who become caught up in the story behind a mysterious comic book, it’s violent, shocking, and has a couple of really impressive performances to boot-Fiona O’Shaughnessy as the not-quite-human Jessica Hyde is a real standout. If you prefer something more episodic, check out Charlie Brooker’s Black Mirror, a handful of very dark, borderline satirical standalone sci-fi stories revolving around technology.

If you want…drama

There are loads of good places to start here, with everything from American Horror Story to Breaking Bad, but my money would have to go on The Good Wife. It’s always been slightly overlooked, but has scooped no less than five Emmys as well as a clutch of Golden Globes. Julianna Marguilles plays Alicia Florrick, a litigator who has to return to work after her husband (Chris Noth- yes, that Chris Noth) is jailed after a corruption and sex scandal. It’s a slow-burner, the sort of thing that bubbles away at the back of your mind until you can get to the next episode, and really I just need someone to talk to about it. Please? For me? Film-wise, shoot for the fantastically sleazy, very underrated The Paperboy. 

If you want…horror

Yeah, well, it’s my blog you’re reading, so you’re getting a horror section. In no particular order (and these are to be watched one after the other, with no breaks in between, not even for a cup of tea, in a marathon of pure fear): The Cube, a high-concept Saw-like thriller with amazing visual effects and great pacing, World War Z, proof that the zombie blockbuster can work if you throw Brad Pitt or Peter Capaldi at it, Lifeforce, a brilliantly dumb Tobe Hooper flick which should be watched when copiously drunk, The Faculty, because Elijah Wood is pretty and meta-horror is fun, Event Horizon, Midnight Meat Train, and, obviously, the seminal An American Werewolf in London for all you special-effects geeks out there.

If you want…something different

If you follow me on Twitter (and if not, why not, you evil bastard-fix that here), you may have spotted this Tweet on your timeline in the middle of the night a couple of days ago:

So you already know what I’ll be recommending. Available either subbed or dubbed, it’s the anime series that smashed through my wall- Neon Genesis Evangelion (which is incredible) proved to me the genre had the potential, and Attack on Titan fulfilled it. A dark, gritty, post-apocalyptic bloodbath, it’s packed with great characters, stunning animation (seriously though) and a twisty-turny plot that will make your head turn inside out at least four times. Again, watch it so I can discuss it with someone. Happy weekend!

Fifty Shades of Grey Recaps: Chapter 19

My exam are done, my summer begins, and everyone will be delighted to hear I have a good few months to just rant about Fifty Shades of Grey and shitty movie trailers on this blog. We left off in the last chapter with-Oh wait, shit, yes, I needed to link this first:

But yes, we left off in the last chapter with Ana and Christian were off to visit the rest of the Cullens- oops, I mean Christian’s family. Christian wakes Ana, and tells her that they’re leaving in half and hour, at which point Ana realizes he’s still in possession of her underwear from the last chapter.

Ana thinks she’s being super sexy and dirty by not asking for her underwear back but, mate, you’re meeting his folks. Maybe, y’know, wear underwear? Ana finds a glass of cranberry juice Christian left her, so at least he understands how to battle off the bane of the world that is a UTI. Who ever said this blog doesn’t teach anyone anything, eh, Heisenberg?

She gets dressed, they dance and it’s graceful and carefree and all the other adjectives I’ve heard ten thousand times already to describe Christian, and they’re off. Ana notices Christian has gone all broody (read: he’s throwing a tantrum), and Ana asks him where he learned to dance, and my Rent sense were tingling:

For the one person that gets this joke, thank you.

Christian says he’s thinking about Mrs Robinson, and Ana once again strops that the woman who molested her partner “got the best of him”, because Ana is a compassionate and kind human being, or so I keep being told by the peripheray characters in this book. She’s refers to her “irrational anger and jealousy” over Mrs Robinson, and Ana, sweetie, only one of the emotions is irrational.

Hey, you remember that last chapter were Christian acknowledged that Ana didn’t like pain?

“”Why did you use a cable tie?”

He grins at me.

“It’s quick, it’s easy, and it’s something different for you to feel and experience, I know they’re quite brutal, and I do like that in a training device.””

Brutal. Yeah, brutal is not a word I generally associate with being painless. Unless I’m talking about the various epic burns I dish out during the course of the day, that may not be physically painful but sure shatter the ego. They arrive at his parents house, and his parents are wonderful and charming and his little sister is loud and gorgeous, and then head through to be with Elliot, who’s bought Kate along. Not that putrid seacow! Ana says she’s surprised by how much affection is headed her way, and I’m not particularly surprised considering she can barely mask her contempt for every person she comes into contact with.

I spent a long time finding the perfect gif to go here, and I think this is it.

Ana mentions that she’s planning on visiting her mother in Georgia, and realizes she hasn’t told Christian about it. Within a page of her mentioning her trip, she’s referenced his anger three times, before he tells her that he’s mad at her. “Palm-twitchingly” mad. Here’s something: Ana and Christian have no formal arrangement about BDSM. They have engaged what amounts to some sensation play, because Ana has said-and Christian ackowledged- the fact that Ana doesn’t really like pain. And, because Ana has thought about a trip away without talking to the man who isn’t even her  boyfriend about it, he’s “palm-twitchingly” mad. He wants to hit her, not out of fun BDSM sexytimes, because he knows that Ana doesn’t like that. He just wants to straight-up hit her for disobeying him. No sex, no contract, no sub/dom, just abuse.

Kate mentions Ana’s meeting with Jose, apparently because winding up your potentially abusive friend’s partner is the best way to force them to get help? Christ, Kate is actually kind of an awful person. Ana wonders if she should just move to Georgia where “he can’t reach me”, and worries about the thought that he might hit her. Then he tries to finger her at the table, in front of his entire family, She tries to brush him off, and he clamps down on her thigh to stop her moving. Maybe just don’t fingerbang your sex buddy while you’re having a nice dinner with the family, eh, Christian? Though as vampires who are thousands of years old, they’ve probably seen it all. I’m sorry, but the Twilight feel off this chapter is unavoidable (and yes, I read it, back in high school where I agreed to read it if the person I borrowed it off would read Carrie).

After dinner, Christian wants to show Ana the grounds.

“..he bends down, and scoops me over his shoulder.I squeal loudly with shocked surprise, and he gives me a ringing slap on the behind.

“Keep your voice down,” he growls.

Oh no…this is not good. My subconscious is quaking at the knees. He’s mad about something..”

I want my favourite Doctors bingo now. Just need a Matt Smith gif to take me home…

Now, this film was done pretty much precisely like this is the movie, and it was totally gross then in a way I couldn’t put my finger on in the book. Again, it’s the fact that Ana is scared, is not sure why she’s being punished, and doesn’t know what to expect from this scene. This is disgracefully unsafe BDSM, because he’s hitting her without her consent, because he is angry about her wanting to express her personal autonomy. This is so clearly abuse that I wouldn’t trust anyone who can’t see it.

Christian carries Ana to the boathouse, tells her he’s going to spank her then fuck her, but unfortunately we have to duck out before any stupidly boring sexing begins. Hold on in there, my sweet angels!