In Defense of the New Oscar Category
It’s not the death of cinema, calm down
It’s not the death of cinema, calm down
It’s been interesting to note, over the course of writing these recaps, the differing reactions to Sharp Objects as a whole. We’re deep into the season now, with only two episodes left after this one, and it seems like the divide in opinions is pretty sharp (ho ho): you either buy into the show’s dreamy, icy layers and buried thematic elements, or you think it’s a load of pretentious old tosh.
In case you haven’t guessed, I’m firmly in the former category, but I do understand where those other opinions come from. Sharp Objects is a difficult show, and I don’t mean that in the sense that it’s complex or heavy (though it is those things too). Jean-Marc Vallée’s directorial style is dense, the writing is evasive and at times deliberately frustrating, and the story is winding closer to it’s explosive center in a languid, thoughtful fashion. It’s not the hectic, forward-focused crime drama that we’re used to, and I understand and accept criticism of the show as punishing instead of rewarding.
“Lou, why don’t you just take some time off to relax, get your head together, work out your anger issues in healthy ways?” Because FUCK YOU, that’s why, I want to screech into the void about the characters who’ve been driving me nuts in the TV that I’ve been watching recently. You can catch up on previous entries to this ridiculous series made entirely from rage right here. On with the list!
And we’re back! Not just back, but back to indulge in a chapter all about the introduction of my biggest damn crush in this whole series, Rubeus Hagrid. I’m a size queen, by which I mean I only date men with enormous beards.

Mmm, just look at that great big hunk of man (and some misc giant)
The past is out in Sharp Objects, and it’s here for blood.
I mean, I’m seeing this for Riz Ahmed, let’s be real
Harry Potter’s birthday has just past, and that means it’s time to celebrate with another recap! I’m really enjoying writing these so far, and I have to say, regardless of my criticisms, these books are just so easy to read – the pacing’s great, the writing’s brisk (even though that would stutter a bit as the series grew more enormous by the book), and the character work and world-building is strong thus far, apart from, you know the whole thing where the magical world stuck Harry with an abusive family “for his own good”. But hey, we’re only on the third chapter – let’s not get ahead of ourselves, huh?
Ooft. You know an episode has made it stick when you want to yell “fuck, no!” at the screen when it cuts to credits. And this week’s Sharp Objects outing, Ripe, had me doing just that.
That’s right, it’s me, back again, to stone some philosophers with pots (I’m pretty sure I’m remembering that title correctly). If you missed last week’s opening chapter recap, you can find it right here. Otherwise, on with the show!