American Horror Story: Burn, Witch, Burn!/The Axeman Cometh

by thethreepennyguignol

I’ve noticed something about this series of AMH; each pair of episodes seems to play out at a set-up/pay-off rate from week-to-week. One week there’s a plot heavy furore where we get introduced to all the shit that’s going to go down in the next episode. I don’t particularly mind this set-up, but it still leaves the season with an overall sense of uneveness and lack of coherency.

Take the last two episodes as an example: Burn, Witch, Burn! was a ridiculous, thrilling, breathlessly entertaining hour that blasted through a bunch of brilliantly fun plot points, climaxing in an outrageously slick finale/tribute to Resevoir Dogs in which a stake-burning took place to the strains of Right Place, Wrong Time. It was sickeningly cool; fuck, Jessica Lange lit to pyre with her cigarette. Also scattered around the episode were some cool zombies, Taissa Farmiga growing some balls (and wielding a chainsaw into the bargain), and Jessica Lange winning herself an Emmy in the course of five minutes, a hospital room and a stillborn baby. It was a manic, hilarious, grotesquely affecting episode that hit all the markers set up by last week’s outing.

Then the latest episode-featuring Danny Huston as real-life serial killer The Axeman of New Orleans-just seemed to be preparing us for what was about to happen. Aside from Angela Bisset delivering the line “white-ass cracker bitch” and some gratefully recieved Lily Rabe, there wasn’t much actually going on in The Axeman Cometh. It was still entertaining enough (and benefited from a lack of Kathy Bates, who the writers just don’t seem to know what to do with), but there was a real sense of tantric TV; they brought us to the pitch of excitement then did nothing about it because they’re saving their metaphorical ejaculation for next week’s outing.

On a side note, I’ve been doing a bit of research into this series (which Stevie Nicks has confirmed her appearance in, yeah!), and discovered that no less than three characters are based directly off people who really existed. The least offensive of these is probably Angela Bisset as Marie Laveau, the Voodoo Queen of New Orleans. Because there’s clearly a lot of mythos surrounding her anyway, adapting her into a kick-ass voodoo bitch-slapper isn’t really much of a leap. But then you’ve got Kathy Bates as Madame LaLaurie. Now, forgive me if you disagree, but when you take someone who genuinley existed, and did some really quite upsettingly horrible things to innocent people for a large part of her life, and whack her in a semi-serious show as an immortal, highly racist bit of comic relief, aren’t you somewhat undermining the nature of the astoundingly awful things she’s done?

So, this week on AMH: I over-analyse my over-analysing. Great.

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