Movie Review: Bombshell
What does film-making in the post-Me Too era look like?
What does film-making in the post-Me Too era look like?
Ahh.
You hear that? That’s the sound of the sigh of relief I let out when I realized that this week’s episode of Doctor Who, Nikola Tesla’s Night of Terror (what a deliciously pulpy banger of a title, by the way), was going to be a historical outing. Of my favourite stories of Chris Chibnall’s run on the show, most of them have been historically-based – Rosa, Spyfall, The Witchfinders, to name a few. There have been some great futuristic or more abjectly sci-fi outings, for sure, but, as last week’s something-to-be-desired proved, this writing room is still very much finding its feet when it comes to the great beyond of the future. But the past? Yes, the past they seem to know how to handle.
If only for that accent alone!
There’s bite to this Jo, a sharpness and even a sadness that takes us beyond “women are good for more than just marriage” and into “what does life look like for a woman who realizes that”.
Doctor Who, I’ve decided, has a people problem.
Gimme that good girl-on-girl shit
Or, Moonreich Kingdom.
What does it mean to objectify somebody?