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Look, I loved this wreck
Happy Monday! Well, a super-happy one for me (and hopefully you too!) because the third part of ALPHA FEMALE is here at last! If you missed the last part, don’t stress – the second part is now available for free this week only right here, so you can catch up on the story so far! Without further ado, let’s get to the next, oral-centric installment. The Mouth:
Hey hey hey! We’re back (on Bi Visibility Day, no less, so I have to post something) in the world of Harry Potter. I’ve starting recapping the new season of American Horror Story in between recaps, so if you’re in the mood for some more grown-up horror, you know where to go.
(I’m the newbie) (and I kind of liked it)
Hello, and welcome to a new series on No But Listen! In this series, we’ll be looking at entries into long-running franchises from two points of view – one from that of a newbie to the series, and one from an expert. Our inaugural entry into the series is a look at Shane Black’s The Predator, the latest entry into the Predator cinematic series. To the reivew(s), you son of a bitch!
Expert
On paper it seemed like Shane Black was the perfect choice to helm a new Predator movie. The Iron Man 3 and The Nice Guys director has history with the franchise, with his role in the first movie as cannon fodder for the titular predator onscreen, and as a script polisher offscreen. It’s safe to say that this guy knows what makes a great Predator movie, and for two thirds of The Predator, that promise is…
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If there was one word I had to use to describe this season so far, it would be “cavernous”. And that’s not just a reference to the enormous mansion where most of the action of these last two episodes has taken place (kudos to the gorgeous cinematography for conveying that dizzying sense of space, especially in this week’s outing), but because there still feels like a lot of dead space in this story.
What does life look like for a victim of abuse after the abuse is over?